Medieval images of womanhood: the construction of Mary of Nemmegen

The late-medieval English prose text Mary of Nemmegen (c 1518) relates the tale of a girl who spends seven years with the devil but is ultimately miraculously saved. In the context of Chaucer’s Wife of Bath’s textualisation of female experience versus male authority, this feminist study problematis...

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Main Author: Margaret Mary Raftery
Format: Article
Language:English
Published: University of the Free State 2002-01-01
Series:Acta Academica
Online Access:https://journals.ufs.ac.za/index.php/aa/article/view/772
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author Margaret Mary Raftery
author_facet Margaret Mary Raftery
author_sort Margaret Mary Raftery
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description The late-medieval English prose text Mary of Nemmegen (c 1518) relates the tale of a girl who spends seven years with the devil but is ultimately miraculously saved. In the context of Chaucer’s Wife of Bath’s textualisation of female experience versus male authority, this feminist study problematises the orthodox interpretation of the exemplum as a quintessentially medieval tale of the triumph of Good over Evil by offering a “resisting” reading of the text’s constructions of Good/Evil, the church, and female identity. It does so by means of an investigation into the “authoritative” textual and iconographical sources of medieval images of womanhood — their nature and their coercive power in the construction of female identity, both generally and in the specific context of the operation of their discourse in Mary of Nemmegen. The text’s culminating dream is also read “resistingly” as unmasking the falsity of these images of womanhood by liberating the text to interrogate and deconstruct its own key terms, notably the binary Good/Evil and the medieval church’s construction of God.
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spelling doaj.art-7087cfa3f6a54065bf622a289c6ea1a02024-03-07T11:14:19ZengUniversity of the Free StateActa Academica0587-24052415-04792002-01-011Medieval images of womanhood: the construction of Mary of NemmegenMargaret Mary Raftery0University of the Free State The late-medieval English prose text Mary of Nemmegen (c 1518) relates the tale of a girl who spends seven years with the devil but is ultimately miraculously saved. In the context of Chaucer’s Wife of Bath’s textualisation of female experience versus male authority, this feminist study problematises the orthodox interpretation of the exemplum as a quintessentially medieval tale of the triumph of Good over Evil by offering a “resisting” reading of the text’s constructions of Good/Evil, the church, and female identity. It does so by means of an investigation into the “authoritative” textual and iconographical sources of medieval images of womanhood — their nature and their coercive power in the construction of female identity, both generally and in the specific context of the operation of their discourse in Mary of Nemmegen. The text’s culminating dream is also read “resistingly” as unmasking the falsity of these images of womanhood by liberating the text to interrogate and deconstruct its own key terms, notably the binary Good/Evil and the medieval church’s construction of God. https://journals.ufs.ac.za/index.php/aa/article/view/772
spellingShingle Margaret Mary Raftery
Medieval images of womanhood: the construction of Mary of Nemmegen
Acta Academica
title Medieval images of womanhood: the construction of Mary of Nemmegen
title_full Medieval images of womanhood: the construction of Mary of Nemmegen
title_fullStr Medieval images of womanhood: the construction of Mary of Nemmegen
title_full_unstemmed Medieval images of womanhood: the construction of Mary of Nemmegen
title_short Medieval images of womanhood: the construction of Mary of Nemmegen
title_sort medieval images of womanhood the construction of mary of nemmegen
url https://journals.ufs.ac.za/index.php/aa/article/view/772
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