Interpersonální hypotéza hudby a hlubinně hermeneutické hledání smyslu uměleckého díla

The interpersonal hypothesis of music presents an original contribution to Czech musicology dating back to the 1960s. This paper focuses on the wider interpretation of the principle of the hypothesis in relation to deep hermeneutic thought. The principle of the hypothesis is interpreted based on the...

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Main Author: David Kozel
Format: Article
Language:ces
Published: Masaryk University, Faculty of Arts 2015-06-01
Series:Musicologica Brunensia
Subjects:
Online Access:https://journals.phil.muni.cz/musicologica-brunensia/article/view/23822
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author David Kozel
author_facet David Kozel
author_sort David Kozel
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description The interpersonal hypothesis of music presents an original contribution to Czech musicology dating back to the 1960s. This paper focuses on the wider interpretation of the principle of the hypothesis in relation to deep hermeneutic thought. The principle of the hypothesis is interpreted based on the work of Ferdinand Knobloch and Jarmila Doubravová. The discovery of meaning in a musical work is the result of a dialogic process with the deep contents of our conscious and unconscious. Symbolization of the archetype does not occur only in metaphorical material, but the musical stream and its events can take on meaning for an individual in relation to a universal as well as individual aesthetic experience. The invariant of interpersonal tendencies in music is, for this reason, in affinity to archetypal situations.
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spelling doaj.art-70ccb89be9904db9b8cae6b29acc67212023-09-06T09:10:28ZcesMasaryk University, Faculty of ArtsMusicologica Brunensia1212-03912336-436X2015-06-0150110.5817/MB2015-1-17Interpersonální hypotéza hudby a hlubinně hermeneutické hledání smyslu uměleckého dílaDavid KozelThe interpersonal hypothesis of music presents an original contribution to Czech musicology dating back to the 1960s. This paper focuses on the wider interpretation of the principle of the hypothesis in relation to deep hermeneutic thought. The principle of the hypothesis is interpreted based on the work of Ferdinand Knobloch and Jarmila Doubravová. The discovery of meaning in a musical work is the result of a dialogic process with the deep contents of our conscious and unconscious. Symbolization of the archetype does not occur only in metaphorical material, but the musical stream and its events can take on meaning for an individual in relation to a universal as well as individual aesthetic experience. The invariant of interpersonal tendencies in music is, for this reason, in affinity to archetypal situations.https://journals.phil.muni.cz/musicologica-brunensia/article/view/23822interpersonal hypothesis of musicJarmila DoubravováFerdinand Knoblocharchetypedeep hermeneuticssemantic gesture
spellingShingle David Kozel
Interpersonální hypotéza hudby a hlubinně hermeneutické hledání smyslu uměleckého díla
Musicologica Brunensia
interpersonal hypothesis of music
Jarmila Doubravová
Ferdinand Knobloch
archetype
deep hermeneutics
semantic gesture
title Interpersonální hypotéza hudby a hlubinně hermeneutické hledání smyslu uměleckého díla
title_full Interpersonální hypotéza hudby a hlubinně hermeneutické hledání smyslu uměleckého díla
title_fullStr Interpersonální hypotéza hudby a hlubinně hermeneutické hledání smyslu uměleckého díla
title_full_unstemmed Interpersonální hypotéza hudby a hlubinně hermeneutické hledání smyslu uměleckého díla
title_short Interpersonální hypotéza hudby a hlubinně hermeneutické hledání smyslu uměleckého díla
title_sort interpersonalni hypoteza hudby a hlubinne hermeneuticke hledani smyslu umeleckeho dila
topic interpersonal hypothesis of music
Jarmila Doubravová
Ferdinand Knobloch
archetype
deep hermeneutics
semantic gesture
url https://journals.phil.muni.cz/musicologica-brunensia/article/view/23822
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