ROMANTICISM AND THE NEW MUSICAL DRAMATURGY OF THE PIANO DUO IN THE CREATION OF FELIX MENDELSSOHN-BARTHOLDY
Felix Mendelssohn- Bartholdy’s four-hand piano works are not numerous, but they fi t perfectly into the general style as well as the composer’s piano writing. In duet literature he left two concert pieces, with a writing that creates the illusion of the orchestra. Andante with variations in B fl at...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | deu |
| Published: |
Notograf Prim
2022-03-01
|
| Series: | Studiul Artelor şi Culturologie: Istorie, Teorie, Practică |
| Subjects: | |
| Online Access: | https://revista.amtap.md/wp-content/files_mf/164855877312.EnoiuPanzariu_Romantismul_si_noua_dramaturgie.pdf |
| Summary: | Felix Mendelssohn- Bartholdy’s four-hand piano works are not numerous, but they fi t perfectly into the general style as well as the composer’s piano writing. In duet literature he left two concert pieces, with a writing that creates the illusion of the orchestra. Andante with variations in B fl at major op. 83a (1841) reresents a variant of the similar piece Variationen op. 83 no. 11 for solo piano, written in 1841 but printed in 1850. Felix Mendelssohn-Bartholdy’s creations for four-hand piano inscribe in the piano literature pages of great brilliance, cultivating singable virtuosity and a diversified technique. They are a culmination of his piano and composition art. His style harmoniously blends Carl Maria von Weber’s breath with Wolfgang Amadeus Mozart’s sigh and smile. |
|---|---|
| ISSN: | 2345-1408 2345-1831 |