Articulating Postmemory in Soledad Puértolas’s Música de ópera
The study of representations of war beyond places of combat opens a space to consider the effects of that war on the society in conflict. Evocations of war linger through time and become articulated through the lens of postmemory, which for Marianne Hirsch (2012, 8) is “distinguished from memory by...
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| Format: | Article |
| Language: | English |
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Edições Afrontamento, Lda.
2023-06-01
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| Series: | Ex Aequo: Revista da Associação Portuguesa de Estudos sobre as Mulheres |
| Subjects: |
| _version_ | 1797792372540571648 |
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| author | Lisa Nalbone |
| author_facet | Lisa Nalbone |
| author_sort | Lisa Nalbone |
| collection | DOAJ |
| description | The study of representations of war beyond places of combat opens a space to consider the effects of that war on the society in conflict. Evocations of war linger through time and become articulated through the lens of postmemory, which for Marianne Hirsch (2012, 8) is “distinguished from memory by generational distance and from history by deep personal connection”. The literary representations of life off the battleground point to a social fabric that illuminates intergenerational relationships surrounding the Spanish Civil War (1936- 1939) and its aftermath, when society was divided across an ideological continuum. In Soledad Puértolas’s Música de ópera (2019), three generations of women come to terms with the effects of the Civil War on their family. |
| first_indexed | 2024-03-13T02:33:11Z |
| format | Article |
| id | doaj.art-7193f54bc958434e905b37f849f85bd9 |
| institution | Directory Open Access Journal |
| issn | 0874-5560 2184-0385 |
| language | English |
| last_indexed | 2024-03-13T02:33:11Z |
| publishDate | 2023-06-01 |
| publisher | Edições Afrontamento, Lda. |
| record_format | Article |
| series | Ex Aequo: Revista da Associação Portuguesa de Estudos sobre as Mulheres |
| spelling | doaj.art-7193f54bc958434e905b37f849f85bd92023-06-29T12:12:51ZengEdições Afrontamento, Lda.Ex Aequo: Revista da Associação Portuguesa de Estudos sobre as Mulheres0874-55602184-03852023-06-0147https://doi.org/10.22355/exaequo.2023.47.05Articulating Postmemory in Soledad Puértolas’s Música de ópera Lisa Nalbone0https://orcid.org/0009-0006-0803-3722Department of Modern Languages and Literatures, College of Arts and Humanities University of Central Florida, Orlando, USA The study of representations of war beyond places of combat opens a space to consider the effects of that war on the society in conflict. Evocations of war linger through time and become articulated through the lens of postmemory, which for Marianne Hirsch (2012, 8) is “distinguished from memory by generational distance and from history by deep personal connection”. The literary representations of life off the battleground point to a social fabric that illuminates intergenerational relationships surrounding the Spanish Civil War (1936- 1939) and its aftermath, when society was divided across an ideological continuum. In Soledad Puértolas’s Música de ópera (2019), three generations of women come to terms with the effects of the Civil War on their family. postmemoryspanish civil wartraumatestimony |
| spellingShingle | Lisa Nalbone Articulating Postmemory in Soledad Puértolas’s Música de ópera Ex Aequo: Revista da Associação Portuguesa de Estudos sobre as Mulheres postmemory spanish civil war trauma testimony |
| title | Articulating Postmemory in Soledad Puértolas’s Música de ópera |
| title_full | Articulating Postmemory in Soledad Puértolas’s Música de ópera |
| title_fullStr | Articulating Postmemory in Soledad Puértolas’s Música de ópera |
| title_full_unstemmed | Articulating Postmemory in Soledad Puértolas’s Música de ópera |
| title_short | Articulating Postmemory in Soledad Puértolas’s Música de ópera |
| title_sort | articulating postmemory in soledad puertolas s musica de opera |
| topic | postmemory spanish civil war trauma testimony |
| work_keys_str_mv | AT lisanalbone articulatingpostmemoryinsoledadpuertolassmusicadeopera |