The Trumpet of the Swan

This paper will outline the ideation, background and development of the electronic artwork The Trumpet of the Swan (Donnachie & Simionato, 2017) presented by the authors at the Electronic Literature Organisation conference in Porto, Portugal in 2017. The artwork is a custom-coded drawing-robot w...

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Main Authors: Karen ann Donnachie, Andy Simionato
Format: Article
Language:English
Published: Imprensa da Universidade de Coimbra 2018-08-01
Series:MatLit
Online Access:http://impactum-journals.uc.pt/matlit/article/view/5569
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author Karen ann Donnachie
Andy Simionato
author_facet Karen ann Donnachie
Andy Simionato
author_sort Karen ann Donnachie
collection DOAJ
description This paper will outline the ideation, background and development of the electronic artwork The Trumpet of the Swan (Donnachie & Simionato, 2017) presented by the authors at the Electronic Literature Organisation conference in Porto, Portugal in 2017. The artwork is a custom-coded drawing-robot which automatically inscribes in natural media, every post published from the personal Twitter profile of the 45th President of the United States of America, Donald Trump, identified on Twitter as @realDonaldTrump. The machine, which has the appearance reminiscent of a swan, including a broad “body” balanced on two short legs that end in webbed “feet”, is a semi-autonomous robot that writes in a pen, crowned by a long white plume, on a continuous scroll of paper while producing bird-like sounds. The drawing-robot remains permanently in a state of attention and the demonstrated sequence of actions can only be triggered remotely and by the 45th President of the U.S.A. himself (or more precisely, by whomever publishes a new tweet through his Twitter account ‘@realDonaldTrump’). In other words, to borrow a popular phrase taken from twentieth century cold-war propaganda: only the President has the ability to “launch” this artwork which otherwise remains dormant, in waiting.
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spelling doaj.art-7195d082c4084afd84642478ac0493d12022-12-22T00:25:26ZengImprensa da Universidade de CoimbraMatLit2182-88302018-08-01611771865569The Trumpet of the SwanKaren ann Donnachie0Andy Simionato1independentRMIT UniversityThis paper will outline the ideation, background and development of the electronic artwork The Trumpet of the Swan (Donnachie & Simionato, 2017) presented by the authors at the Electronic Literature Organisation conference in Porto, Portugal in 2017. The artwork is a custom-coded drawing-robot which automatically inscribes in natural media, every post published from the personal Twitter profile of the 45th President of the United States of America, Donald Trump, identified on Twitter as @realDonaldTrump. The machine, which has the appearance reminiscent of a swan, including a broad “body” balanced on two short legs that end in webbed “feet”, is a semi-autonomous robot that writes in a pen, crowned by a long white plume, on a continuous scroll of paper while producing bird-like sounds. The drawing-robot remains permanently in a state of attention and the demonstrated sequence of actions can only be triggered remotely and by the 45th President of the U.S.A. himself (or more precisely, by whomever publishes a new tweet through his Twitter account ‘@realDonaldTrump’). In other words, to borrow a popular phrase taken from twentieth century cold-war propaganda: only the President has the ability to “launch” this artwork which otherwise remains dormant, in waiting.http://impactum-journals.uc.pt/matlit/article/view/5569
spellingShingle Karen ann Donnachie
Andy Simionato
The Trumpet of the Swan
MatLit
title The Trumpet of the Swan
title_full The Trumpet of the Swan
title_fullStr The Trumpet of the Swan
title_full_unstemmed The Trumpet of the Swan
title_short The Trumpet of the Swan
title_sort trumpet of the swan
url http://impactum-journals.uc.pt/matlit/article/view/5569
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