After Happy Ever: Tender Extremities and Tangled Selves in Three Australasian Bluebeard Tales

This article identifies a critique of popular romance plots through unstable identities and disingenuous narrative perspectives in three Australasian Bluebeard tales. In these works by female writers in Australia and New Zealand, Bluebeard’s key tropes of fragmentation, repetition and revelation are...

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Main Author: Lucy Butler
Format: Article
Language:English
Published: International Association for the Study of Popular Romance (IASPR) 2014-10-01
Series:Journal of Popular Romance Studies
Subjects:
Online Access:https://www.jprstudies.org/2014/10/after-happy-ever-tender-extremities-and-tangled-selves-in-three-australasian-bluebeard-talesby-lucy-butler/
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author Lucy Butler
author_facet Lucy Butler
author_sort Lucy Butler
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description This article identifies a critique of popular romance plots through unstable identities and disingenuous narrative perspectives in three Australasian Bluebeard tales. In these works by female writers in Australia and New Zealand, Bluebeard’s key tropes of fragmentation, repetition and revelation are used to dismember popular understandings of romantic love. Confronting both the limits of knowledge and the power of story to shape romantic relations, Margaret Mahy, Sarah Quigley and Marion Campbell each in different ways refashion the Bluebeard tale’s central images to complicate romantic love as a site of self-realisation. The resulting works ask us to consider how narratives and expectations of romantic love might be better “re-membered” to encourage relations of embodied compassion in contemporary Western culture.
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spelling doaj.art-71ae880a0f9e4001a4b75e49e04b8cd92023-08-19T21:30:35ZengInternational Association for the Study of Popular Romance (IASPR)Journal of Popular Romance Studies2159-44732014-10-0142123After Happy Ever: Tender Extremities and Tangled Selves in Three Australasian Bluebeard TalesLucy Butler This article identifies a critique of popular romance plots through unstable identities and disingenuous narrative perspectives in three Australasian Bluebeard tales. In these works by female writers in Australia and New Zealand, Bluebeard’s key tropes of fragmentation, repetition and revelation are used to dismember popular understandings of romantic love. Confronting both the limits of knowledge and the power of story to shape romantic relations, Margaret Mahy, Sarah Quigley and Marion Campbell each in different ways refashion the Bluebeard tale’s central images to complicate romantic love as a site of self-realisation. The resulting works ask us to consider how narratives and expectations of romantic love might be better “re-membered” to encourage relations of embodied compassion in contemporary Western culture.https://www.jprstudies.org/2014/10/after-happy-ever-tender-extremities-and-tangled-selves-in-three-australasian-bluebeard-talesby-lucy-butler/australasiabluebeardfairy talefeminismidentityknowledgeromantic love
spellingShingle Lucy Butler
After Happy Ever: Tender Extremities and Tangled Selves in Three Australasian Bluebeard Tales
Journal of Popular Romance Studies
australasia
bluebeard
fairy tale
feminism
identity
knowledge
romantic love
title After Happy Ever: Tender Extremities and Tangled Selves in Three Australasian Bluebeard Tales
title_full After Happy Ever: Tender Extremities and Tangled Selves in Three Australasian Bluebeard Tales
title_fullStr After Happy Ever: Tender Extremities and Tangled Selves in Three Australasian Bluebeard Tales
title_full_unstemmed After Happy Ever: Tender Extremities and Tangled Selves in Three Australasian Bluebeard Tales
title_short After Happy Ever: Tender Extremities and Tangled Selves in Three Australasian Bluebeard Tales
title_sort after happy ever tender extremities and tangled selves in three australasian bluebeard tales
topic australasia
bluebeard
fairy tale
feminism
identity
knowledge
romantic love
url https://www.jprstudies.org/2014/10/after-happy-ever-tender-extremities-and-tangled-selves-in-three-australasian-bluebeard-talesby-lucy-butler/
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