Bez teorie a bez absolventů: ke dvěma normalizačním hrozbám dějin umění

This study analyzes the methodological manipulation of the field of art history and its personnel at Charles University and the Academy of Sciences during the 1970s and 1980s, tracing the consequences of public declarations of support for adopting Marxism Leninism as foundation for all theoretical a...

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Main Author: Tereza Johanidesová
Format: Article
Language:ces
Published: Univerzita Karlova, Filozofická fakulta 2020-12-01
Series:Slovo a Smysl
Subjects:
Online Access:https://wordandsense.ff.cuni.cz/wp-content/uploads/sites/18/2021/02/Tereza_Johanidesova_67-80.pdf
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author Tereza Johanidesová
author_facet Tereza Johanidesová
author_sort Tereza Johanidesová
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description This study analyzes the methodological manipulation of the field of art history and its personnel at Charles University and the Academy of Sciences during the 1970s and 1980s, tracing the consequences of public declarations of support for adopting Marxism Leninism as foundation for all theoretical approaches to the work of art. Adoption of this framework was advanced as the only appropriate response to the widespread application of non Marxist ideas and methods in the field of art history, seen by agents of normalisation as a dangerous hotbed of revisionism. The study also considers the consequences of reducing the admission of art history students and staff during the period of normalisation to those who would be willing to work exclusively within the Marxist framework. The author follows these issues in the larger context of the field of art history and with an analytical focus on the history of fine arts. He also considers the implications of these practices for the current state of the field.
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spelling doaj.art-71cfa4c845ca454cb4b3ffdfe52f56df2022-12-21T17:44:22ZcesUniverzita Karlova, Filozofická fakultaSlovo a Smysl1214-79152336-66802020-12-0117356780Bez teorie a bez absolventů: ke dvěma normalizačním hrozbám dějin uměníTereza Johanidesová 0Ústav dějin umění Akademie věd České republiky, v. v. i.This study analyzes the methodological manipulation of the field of art history and its personnel at Charles University and the Academy of Sciences during the 1970s and 1980s, tracing the consequences of public declarations of support for adopting Marxism Leninism as foundation for all theoretical approaches to the work of art. Adoption of this framework was advanced as the only appropriate response to the widespread application of non Marxist ideas and methods in the field of art history, seen by agents of normalisation as a dangerous hotbed of revisionism. The study also considers the consequences of reducing the admission of art history students and staff during the period of normalisation to those who would be willing to work exclusively within the Marxist framework. The author follows these issues in the larger context of the field of art history and with an analytical focus on the history of fine arts. He also considers the implications of these practices for the current state of the field.https://wordandsense.ff.cuni.cz/wp-content/uploads/sites/18/2021/02/Tereza_Johanidesova_67-80.pdfuměnovědné oborydějiny výtvarného uměníteorie a praxe uměnovědné prácepersonální politika v uměnovědných oborech70. a 80. léta 20. století
spellingShingle Tereza Johanidesová
Bez teorie a bez absolventů: ke dvěma normalizačním hrozbám dějin umění
Slovo a Smysl
uměnovědné obory
dějiny výtvarného umění
teorie a praxe uměnovědné práce
personální politika v uměnovědných oborech
70. a 80. léta 20. století
title Bez teorie a bez absolventů: ke dvěma normalizačním hrozbám dějin umění
title_full Bez teorie a bez absolventů: ke dvěma normalizačním hrozbám dějin umění
title_fullStr Bez teorie a bez absolventů: ke dvěma normalizačním hrozbám dějin umění
title_full_unstemmed Bez teorie a bez absolventů: ke dvěma normalizačním hrozbám dějin umění
title_short Bez teorie a bez absolventů: ke dvěma normalizačním hrozbám dějin umění
title_sort bez teorie a bez absolventu ke dvema normalizacnim hrozbam dejin umeni
topic uměnovědné obory
dějiny výtvarného umění
teorie a praxe uměnovědné práce
personální politika v uměnovědných oborech
70. a 80. léta 20. století
url https://wordandsense.ff.cuni.cz/wp-content/uploads/sites/18/2021/02/Tereza_Johanidesova_67-80.pdf
work_keys_str_mv AT terezajohanidesova bezteorieabezabsolventukedvemanormalizacnimhrozbamdejinumeni