THE CONDUCTOR - BETWEEN HEARING AND LISTENING
The conducting activity operates with two specific types of auditory attention – on one hand, the attention designed to correct potential errors that may occur in the musical text, and, on the other hand, the auditory attention that is specific to the performing process, in itself. The present endea...
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| Format: | Article |
| Language: | English |
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Babeș-Bolyai University
2016-06-01
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| Series: | Studia Universitatis Babeş-Bolyai. Musica |
| Subjects: | |
| Online Access: | http://193.231.18.162/index.php/subbmusica/article/view/5128 |
| _version_ | 1827390010592067584 |
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| author | Aurel MURARU |
| author_facet | Aurel MURARU |
| author_sort | Aurel MURARU |
| collection | DOAJ |
| description | The conducting activity operates with two specific types of auditory attention – on one hand, the attention designed to correct potential errors that may occur in the musical text, and, on the other hand, the auditory attention that is specific to the performing process, in itself. The present endeavour aims at emphasizing the characteristics of the conductor’s musical hearing, as well as its defining role in the art of conducting. |
| first_indexed | 2024-03-08T16:45:13Z |
| format | Article |
| id | doaj.art-71d97e3da16a423c8c7439c8be56feba |
| institution | Directory Open Access Journal |
| issn | 1844-4369 2065-9628 |
| language | English |
| last_indexed | 2024-03-08T16:45:13Z |
| publishDate | 2016-06-01 |
| publisher | Babeș-Bolyai University |
| record_format | Article |
| series | Studia Universitatis Babeş-Bolyai. Musica |
| spelling | doaj.art-71d97e3da16a423c8c7439c8be56feba2024-01-05T09:42:01ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282016-06-01611THE CONDUCTOR - BETWEEN HEARING AND LISTENINGAurel MURARU0Faculty of Social and Human Sciences, Departament of Social and Human Sciences, Spiru Haret University, Bucharest, Romania. E-mail: aurelmuraru@yahoo.comThe conducting activity operates with two specific types of auditory attention – on one hand, the attention designed to correct potential errors that may occur in the musical text, and, on the other hand, the auditory attention that is specific to the performing process, in itself. The present endeavour aims at emphasizing the characteristics of the conductor’s musical hearing, as well as its defining role in the art of conducting. http://193.231.18.162/index.php/subbmusica/article/view/5128musical hearing, conductor, musical performance. |
| spellingShingle | Aurel MURARU THE CONDUCTOR - BETWEEN HEARING AND LISTENING Studia Universitatis Babeş-Bolyai. Musica musical hearing, conductor, musical performance. |
| title | THE CONDUCTOR - BETWEEN HEARING AND LISTENING |
| title_full | THE CONDUCTOR - BETWEEN HEARING AND LISTENING |
| title_fullStr | THE CONDUCTOR - BETWEEN HEARING AND LISTENING |
| title_full_unstemmed | THE CONDUCTOR - BETWEEN HEARING AND LISTENING |
| title_short | THE CONDUCTOR - BETWEEN HEARING AND LISTENING |
| title_sort | conductor between hearing and listening |
| topic | musical hearing, conductor, musical performance. |
| url | http://193.231.18.162/index.php/subbmusica/article/view/5128 |
| work_keys_str_mv | AT aurelmuraru theconductorbetweenhearingandlistening AT aurelmuraru conductorbetweenhearingandlistening |