Painting the Void: The Instrumentalization of Cartography in Neo-Confucian Chosŏn and Renaissance France through Landscape Painting and Perspective (15–16 centuries)
At prima facie, the Ryūkoku Kangnido (1479–1485) is a tribute to sino-centrism in its scientific, cultural and political expressions. But the examination of data surfacing on the map and its commemoration is often conducted to the detriment of the interplay between what is shown and what is intentio...
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| Format: | Article |
| Language: | English |
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Korea University, Center for Korean History
2021-02-01
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| Series: | International Journal of Korean History |
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| Online Access: | http://ijkh.khistory.org/upload/pdf/ijkh-26-1-177.pdf |