CODUL ENESCU BY GH. CIOBANU: PECULIARITIES OF MODAL-ARMONIC AND FACTURAL ORGANIZATION
Th e piece „Codul Enescu” for string orchestra by Gh. Ciobanu appears to be original and distinctive in its creative method. Here a kind of dialogue between the composer and the Romanian Maestro takes place. Gh. Ciobanu creates a vivid composition based on the identifi cation and subsequent personal...
| Main Authors: | , |
|---|---|
| Format: | Article |
| Language: | deu |
| Published: |
Notograf Prim
2021-06-01
|
| Series: | Studiul Artelor şi Culturologie: Istorie, Teorie, Practică |
| Subjects: | |
| Online Access: | https://revista.amtap.md/wp-content/files_mf/16221188717.Sambris_CodulEnescudeGh.Ciobanu.pdf |
| Summary: | Th e piece „Codul Enescu” for string orchestra by Gh. Ciobanu appears to be original and distinctive in its creative method. Here a kind of dialogue between the composer and the Romanian Maestro takes place. Gh. Ciobanu creates a vivid composition based on the identifi cation and subsequent personal reading of the general features of G. Enescu’s style – his musical and logical codes. The composer uses a special heterophonic-polyphonic texture with a variable number of voices, and also applies intensive chromatization of the material based on polymodal twelve-tone and “stretching technique”, which characterizes the principles of the new modality in general. |
|---|---|
| ISSN: | 2345-1831 |