CODUL ENESCU BY GH. CIOBANU: PECULIARITIES OF MODAL-ARMONIC AND FACTURAL ORGANIZATION

Th e piece „Codul Enescu” for string orchestra by Gh. Ciobanu appears to be original and distinctive in its creative method. Here a kind of dialogue between the composer and the Romanian Maestro takes place. Gh. Ciobanu creates a vivid composition based on the identifi cation and subsequent personal...

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Main Authors: SAMBRIȘ, ELENA, PUTINA, ANASTASIA
Format: Article
Language:deu
Published: Notograf Prim 2021-06-01
Series:Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
Subjects:
Online Access:https://revista.amtap.md/wp-content/files_mf/16221188717.Sambris_CodulEnescudeGh.Ciobanu.pdf
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author SAMBRIȘ, ELENA
PUTINA, ANASTASIA
author_facet SAMBRIȘ, ELENA
PUTINA, ANASTASIA
author_sort SAMBRIȘ, ELENA
collection DOAJ
description Th e piece „Codul Enescu” for string orchestra by Gh. Ciobanu appears to be original and distinctive in its creative method. Here a kind of dialogue between the composer and the Romanian Maestro takes place. Gh. Ciobanu creates a vivid composition based on the identifi cation and subsequent personal reading of the general features of G. Enescu’s style – his musical and logical codes. The composer uses a special heterophonic-polyphonic texture with a variable number of voices, and also applies intensive chromatization of the material based on polymodal twelve-tone and “stretching technique”, which characterizes the principles of the new modality in general.
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spelling doaj.art-7260f55432274f4891ae5e4aa990c7022022-12-21T20:08:03ZdeuNotograf PrimStudiul Artelor şi Culturologie: Istorie, Teorie, Practică2345-18312021-06-011 (38)3842CODUL ENESCU BY GH. CIOBANU: PECULIARITIES OF MODAL-ARMONIC AND FACTURAL ORGANIZATION SAMBRIȘ, ELENA0 PUTINA, ANASTASIA1Academy of Music, Theatre and Fine ArtsAcademy of Music, Theatre and Fine ArtsTh e piece „Codul Enescu” for string orchestra by Gh. Ciobanu appears to be original and distinctive in its creative method. Here a kind of dialogue between the composer and the Romanian Maestro takes place. Gh. Ciobanu creates a vivid composition based on the identifi cation and subsequent personal reading of the general features of G. Enescu’s style – his musical and logical codes. The composer uses a special heterophonic-polyphonic texture with a variable number of voices, and also applies intensive chromatization of the material based on polymodal twelve-tone and “stretching technique”, which characterizes the principles of the new modality in general.https://revista.amtap.md/wp-content/files_mf/16221188717.Sambris_CodulEnescudeGh.Ciobanu.pdfcreativity of gh. ciobanuheterophonic-polyphonic texturenew modality
spellingShingle SAMBRIȘ, ELENA
PUTINA, ANASTASIA
CODUL ENESCU BY GH. CIOBANU: PECULIARITIES OF MODAL-ARMONIC AND FACTURAL ORGANIZATION
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
creativity of gh. ciobanu
heterophonic-polyphonic texture
new modality
title CODUL ENESCU BY GH. CIOBANU: PECULIARITIES OF MODAL-ARMONIC AND FACTURAL ORGANIZATION
title_full CODUL ENESCU BY GH. CIOBANU: PECULIARITIES OF MODAL-ARMONIC AND FACTURAL ORGANIZATION
title_fullStr CODUL ENESCU BY GH. CIOBANU: PECULIARITIES OF MODAL-ARMONIC AND FACTURAL ORGANIZATION
title_full_unstemmed CODUL ENESCU BY GH. CIOBANU: PECULIARITIES OF MODAL-ARMONIC AND FACTURAL ORGANIZATION
title_short CODUL ENESCU BY GH. CIOBANU: PECULIARITIES OF MODAL-ARMONIC AND FACTURAL ORGANIZATION
title_sort codul enescu by gh ciobanu peculiarities of modal armonic and factural organization
topic creativity of gh. ciobanu
heterophonic-polyphonic texture
new modality
url https://revista.amtap.md/wp-content/files_mf/16221188717.Sambris_CodulEnescudeGh.Ciobanu.pdf
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