‘Who the devil wrote that?’: Intertextuality and Authorial Reputation in Georgette Heyer’s Venetia
This paper examines Georgette Heyer’s 1958 novel Venetia, a work notable for its frequent use of quotation and other forms of intertextuality. I describe the different purposes for which characters within the text refer to and quote from various literary works for a number of different purposes. Add...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
International Association for the Study of Popular Romance (IASPR)
2013-06-01
|
| Series: | Journal of Popular Romance Studies |
| Subjects: | |
| Online Access: | https://www.jprstudies.org/2013/06/who-the-devil-wrote-that-intertextuality-and-authorial-reputation-in-georgette-heyers-venetia-by-elizabeth-barr/ |