| Summary: | This article explores the issue of meaning in the form of social commentary in the emerging Lao contemporary arts scene. I do so by focusing on the case of contemporary dance, looking at the performance kip by Noutnapha Soydala. In the context of late socialist Southeast Asia, social commentary remains a delicate matter. Yet, Lao contemporary dancers insist on the importance of imbuing their work with meaning while also stressing meaning as multiple and perpetually becoming. Dialoguing between some of the references in kip and research on Laos I suggest that meaning is best described in terms of potencies: the references trigger recognition and engagement as much as they unsettle any pre-given meaning these may carry. This approach to meaning, I argue, is important for the further development of contemporary arts in Laos whilst occasionally it can also give rise to more closed readings of meaning.
|
|---|