“Pieces that Form a More Complete Whole”: Potencies of Meaning in Lao Contemporary Dance

This article explores the issue of meaning in the form of social commentary in the emerging Lao contemporary arts scene. I do so by focusing on the case of contemporary dance, looking at the performance kip by Noutnapha Soydala. In the context of late socialist Southeast Asia, social commentary rema...

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Main Author: Roy Huijsmans
Format: Article
Language:English
Published: University of Exeter 2022-11-01
Series:Music and Arts in Action
Subjects:
Online Access:http://www.musicandartsinaction.net/index.php/maia/article/view/piecesthatform
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author Roy Huijsmans
author_facet Roy Huijsmans
author_sort Roy Huijsmans
collection DOAJ
description This article explores the issue of meaning in the form of social commentary in the emerging Lao contemporary arts scene. I do so by focusing on the case of contemporary dance, looking at the performance kip by Noutnapha Soydala. In the context of late socialist Southeast Asia, social commentary remains a delicate matter. Yet, Lao contemporary dancers insist on the importance of imbuing their work with meaning while also stressing meaning as multiple and perpetually becoming. Dialoguing between some of the references in kip and research on Laos I suggest that meaning is best described in terms of potencies: the references trigger recognition and engagement as much as they unsettle any pre-given meaning these may carry. This approach to meaning, I argue, is important for the further development of contemporary arts in Laos whilst occasionally it can also give rise to more closed readings of meaning.
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spelling doaj.art-72cb36563f714c0bbbfbe479c3975e8d2022-12-22T04:18:19ZengUniversity of ExeterMusic and Arts in Action1754-71052022-11-01815068“Pieces that Form a More Complete Whole”: Potencies of Meaning in Lao Contemporary DanceRoy Huijsmans0https://orcid.org/0000-0003-1684-2694International Institute of Social Studies | Erasmus UniversityThis article explores the issue of meaning in the form of social commentary in the emerging Lao contemporary arts scene. I do so by focusing on the case of contemporary dance, looking at the performance kip by Noutnapha Soydala. In the context of late socialist Southeast Asia, social commentary remains a delicate matter. Yet, Lao contemporary dancers insist on the importance of imbuing their work with meaning while also stressing meaning as multiple and perpetually becoming. Dialoguing between some of the references in kip and research on Laos I suggest that meaning is best described in terms of potencies: the references trigger recognition and engagement as much as they unsettle any pre-given meaning these may carry. This approach to meaning, I argue, is important for the further development of contemporary arts in Laos whilst occasionally it can also give rise to more closed readings of meaning.http://www.musicandartsinaction.net/index.php/maia/article/view/piecesthatformdancelaosmeaningperformanceethnography
spellingShingle Roy Huijsmans
“Pieces that Form a More Complete Whole”: Potencies of Meaning in Lao Contemporary Dance
Music and Arts in Action
dance
laos
meaning
performance
ethnography
title “Pieces that Form a More Complete Whole”: Potencies of Meaning in Lao Contemporary Dance
title_full “Pieces that Form a More Complete Whole”: Potencies of Meaning in Lao Contemporary Dance
title_fullStr “Pieces that Form a More Complete Whole”: Potencies of Meaning in Lao Contemporary Dance
title_full_unstemmed “Pieces that Form a More Complete Whole”: Potencies of Meaning in Lao Contemporary Dance
title_short “Pieces that Form a More Complete Whole”: Potencies of Meaning in Lao Contemporary Dance
title_sort pieces that form a more complete whole potencies of meaning in lao contemporary dance
topic dance
laos
meaning
performance
ethnography
url http://www.musicandartsinaction.net/index.php/maia/article/view/piecesthatform
work_keys_str_mv AT royhuijsmans piecesthatformamorecompletewholepotenciesofmeaninginlaocontemporarydance