Antigone come problema. Brecht e la critica di un mito troppo moderno

Antigone’s myth seems to be one of the few ancient ones to have become in every way a myth in the modern sense: a reference image functioning as a means of rapid identification and as a flag of shared values. Antigone ended up becoming for us the myth of the Human against the political dimension, wh...

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Main Author: Milena Massalongo
Format: Article
Language:deu
Published: Milano University Press 2020-11-01
Series:Studia theodisca
Online Access:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/14567
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author Milena Massalongo
author_facet Milena Massalongo
author_sort Milena Massalongo
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description Antigone’s myth seems to be one of the few ancient ones to have become in every way a myth in the modern sense: a reference image functioning as a means of rapid identification and as a flag of shared values. Antigone ended up becoming for us the myth of the Human against the political dimension, which is now being instinctively reduced to the constitutive violence of all power. By first concentrating on some critical moments of Sophocles’ version, and then on some often neglected aspects of the version Brecht wrote in 1947, the following notes attempt to deconstruct this both on stage and in its reception within the dominant social imaginary. Although Brecht’s Antigone is usually staged in line with this imaginary, it seems to offer, rather more than a correction or an update of Sophocles’ text, an already critical counterpart to our contemporary reception of its underlying myth.
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spelling doaj.art-735367a0fd12468eabde2d5a65d58a5c2023-09-03T01:52:37ZdeuMilano University PressStudia theodisca1593-24782385-29172020-11-012710.13130/1593-2478/14567Antigone come problema. Brecht e la critica di un mito troppo modernoMilena Massalongo0Università degli Studi Roma Tre, ItalyAntigone’s myth seems to be one of the few ancient ones to have become in every way a myth in the modern sense: a reference image functioning as a means of rapid identification and as a flag of shared values. Antigone ended up becoming for us the myth of the Human against the political dimension, which is now being instinctively reduced to the constitutive violence of all power. By first concentrating on some critical moments of Sophocles’ version, and then on some often neglected aspects of the version Brecht wrote in 1947, the following notes attempt to deconstruct this both on stage and in its reception within the dominant social imaginary. Although Brecht’s Antigone is usually staged in line with this imaginary, it seems to offer, rather more than a correction or an update of Sophocles’ text, an already critical counterpart to our contemporary reception of its underlying myth.https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/14567
spellingShingle Milena Massalongo
Antigone come problema. Brecht e la critica di un mito troppo moderno
Studia theodisca
title Antigone come problema. Brecht e la critica di un mito troppo moderno
title_full Antigone come problema. Brecht e la critica di un mito troppo moderno
title_fullStr Antigone come problema. Brecht e la critica di un mito troppo moderno
title_full_unstemmed Antigone come problema. Brecht e la critica di un mito troppo moderno
title_short Antigone come problema. Brecht e la critica di un mito troppo moderno
title_sort antigone come problema brecht e la critica di un mito troppo moderno
url https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/14567
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