The ijexá on guitar grooves: analysis of three cases of popular repertoire

The article consists of an analysis of guitar grooves based on ijexá, a rhythm present in candomblé rituals and which becomes popular outside the terreiros due to the afoxés, carnival parades in Salvador/BA. Questions about the peculiarities of ijexá and its transformation into a popular genre are d...

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Main Authors: Felipe Corbani da Silva, Bruno Madeira
Format: Article
Language:English
Published: Escola de Música da UFMG 2021-07-01
Series:Per Musi
Subjects:
Online Access:https://periodicos.ufmg.br/index.php/permusi/article/view/26666
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author Felipe Corbani da Silva
Bruno Madeira
author_facet Felipe Corbani da Silva
Bruno Madeira
author_sort Felipe Corbani da Silva
collection DOAJ
description The article consists of an analysis of guitar grooves based on ijexá, a rhythm present in candomblé rituals and which becomes popular outside the terreiros due to the afoxés, carnival parades in Salvador/BA. Questions about the peculiarities of ijexá and its transformation into a popular genre are discussed throughout the text, as well as the relationship between the guitar grooves and the patterns of the rhythm, idiomatic factors and the context of the songs.
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spelling doaj.art-737c3370eeae44e9a3d88fbe08ffb5292023-07-16T21:27:19ZengEscola de Música da UFMGPer Musi1517-75992317-63772021-07-0141202111410.35699/2317-6377.2021.26666 The ijexá on guitar grooves: analysis of three cases of popular repertoire Felipe Corbani da Silva 0https://orcid.org/0000-0001-6406-2030Bruno Madeira 1https://orcid.org/0000-0002-3869-9828University of the State of de Santa Catarina, Brazil University of the State of de Santa Catarina, Brazil The article consists of an analysis of guitar grooves based on ijexá, a rhythm present in candomblé rituals and which becomes popular outside the terreiros due to the afoxés, carnival parades in Salvador/BA. Questions about the peculiarities of ijexá and its transformation into a popular genre are discussed throughout the text, as well as the relationship between the guitar grooves and the patterns of the rhythm, idiomatic factors and the context of the songs.https://periodicos.ufmg.br/index.php/permusi/article/view/26666ijexárhythm guitarbrazilian songcandomblé rhythmsguitar grooves
spellingShingle Felipe Corbani da Silva
Bruno Madeira
The ijexá on guitar grooves: analysis of three cases of popular repertoire
Per Musi
ijexá
rhythm guitar
brazilian song
candomblé rhythms
guitar grooves
title The ijexá on guitar grooves: analysis of three cases of popular repertoire
title_full The ijexá on guitar grooves: analysis of three cases of popular repertoire
title_fullStr The ijexá on guitar grooves: analysis of three cases of popular repertoire
title_full_unstemmed The ijexá on guitar grooves: analysis of three cases of popular repertoire
title_short The ijexá on guitar grooves: analysis of three cases of popular repertoire
title_sort ijexa on guitar grooves analysis of three cases of popular repertoire
topic ijexá
rhythm guitar
brazilian song
candomblé rhythms
guitar grooves
url https://periodicos.ufmg.br/index.php/permusi/article/view/26666
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