The ijexá on guitar grooves: analysis of three cases of popular repertoire
The article consists of an analysis of guitar grooves based on ijexá, a rhythm present in candomblé rituals and which becomes popular outside the terreiros due to the afoxés, carnival parades in Salvador/BA. Questions about the peculiarities of ijexá and its transformation into a popular genre are d...
Main Authors: | , |
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Format: | Article |
Language: | English |
Published: |
Escola de Música da UFMG
2021-07-01
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Series: | Per Musi |
Subjects: | |
Online Access: | https://periodicos.ufmg.br/index.php/permusi/article/view/26666 |
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author | Felipe Corbani da Silva Bruno Madeira |
author_facet | Felipe Corbani da Silva Bruno Madeira |
author_sort | Felipe Corbani da Silva |
collection | DOAJ |
description | The article consists of an analysis of guitar grooves based on ijexá, a rhythm present in candomblé rituals and which becomes popular outside the terreiros due to the afoxés, carnival parades in Salvador/BA. Questions about the peculiarities of ijexá and its transformation into a popular genre are discussed throughout the text, as well as the relationship between the guitar grooves and the patterns of the rhythm, idiomatic factors and the context of the songs. |
first_indexed | 2024-03-12T23:18:21Z |
format | Article |
id | doaj.art-737c3370eeae44e9a3d88fbe08ffb529 |
institution | Directory Open Access Journal |
issn | 1517-7599 2317-6377 |
language | English |
last_indexed | 2024-03-12T23:18:21Z |
publishDate | 2021-07-01 |
publisher | Escola de Música da UFMG |
record_format | Article |
series | Per Musi |
spelling | doaj.art-737c3370eeae44e9a3d88fbe08ffb5292023-07-16T21:27:19ZengEscola de Música da UFMGPer Musi1517-75992317-63772021-07-0141202111410.35699/2317-6377.2021.26666 The ijexá on guitar grooves: analysis of three cases of popular repertoire Felipe Corbani da Silva 0https://orcid.org/0000-0001-6406-2030Bruno Madeira 1https://orcid.org/0000-0002-3869-9828University of the State of de Santa Catarina, Brazil University of the State of de Santa Catarina, Brazil The article consists of an analysis of guitar grooves based on ijexá, a rhythm present in candomblé rituals and which becomes popular outside the terreiros due to the afoxés, carnival parades in Salvador/BA. Questions about the peculiarities of ijexá and its transformation into a popular genre are discussed throughout the text, as well as the relationship between the guitar grooves and the patterns of the rhythm, idiomatic factors and the context of the songs.https://periodicos.ufmg.br/index.php/permusi/article/view/26666ijexárhythm guitarbrazilian songcandomblé rhythmsguitar grooves |
spellingShingle | Felipe Corbani da Silva Bruno Madeira The ijexá on guitar grooves: analysis of three cases of popular repertoire Per Musi ijexá rhythm guitar brazilian song candomblé rhythms guitar grooves |
title | The ijexá on guitar grooves: analysis of three cases of popular repertoire |
title_full | The ijexá on guitar grooves: analysis of three cases of popular repertoire |
title_fullStr | The ijexá on guitar grooves: analysis of three cases of popular repertoire |
title_full_unstemmed | The ijexá on guitar grooves: analysis of three cases of popular repertoire |
title_short | The ijexá on guitar grooves: analysis of three cases of popular repertoire |
title_sort | ijexa on guitar grooves analysis of three cases of popular repertoire |
topic | ijexá rhythm guitar brazilian song candomblé rhythms guitar grooves |
url | https://periodicos.ufmg.br/index.php/permusi/article/view/26666 |
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