Sex and the City: A Situationist Reading of Jens Jorgen Thorsen’s Film Adaptation of Henry Miller’s Quiet Days in Clichy

This paper will explore the influence of the Situationist International (SI) philosophy upon Jens Jorgen Thorsen’s film adaptation of Quiet Days in Clichy (1970). Whilst acknowledging the film’s place within a wider changing Danish culture, I will aim to show that the film engages with the key Situa...

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Main Author: Jennifer Cowe
Format: Article
Language:English
Published: European Association for American Studies
Series:European Journal of American Studies
Subjects:
Online Access:https://journals.openedition.org/ejas/11624
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author Jennifer Cowe
author_facet Jennifer Cowe
author_sort Jennifer Cowe
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description This paper will explore the influence of the Situationist International (SI) philosophy upon Jens Jorgen Thorsen’s film adaptation of Quiet Days in Clichy (1970). Whilst acknowledging the film’s place within a wider changing Danish culture, I will aim to show that the film engages with the key Situationist theories of Dérive, Psychogeography and Détournement and that it reflects contemporary societal issues whilst remaining true to Henry Miller’s anarchic and joyful novella. Thorsen was unarguably one of Denmark’s most inventive and revolutionary filmmakers and Quiet Days in Clichy can be viewed in relation to his engagement with the concepts of the SI.
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spelling doaj.art-73957b004f68477596685720826c65bd2024-02-14T13:19:46ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-933611210.4000/ejas.11624Sex and the City: A Situationist Reading of Jens Jorgen Thorsen’s Film Adaptation of Henry Miller’s Quiet Days in ClichyJennifer CoweThis paper will explore the influence of the Situationist International (SI) philosophy upon Jens Jorgen Thorsen’s film adaptation of Quiet Days in Clichy (1970). Whilst acknowledging the film’s place within a wider changing Danish culture, I will aim to show that the film engages with the key Situationist theories of Dérive, Psychogeography and Détournement and that it reflects contemporary societal issues whilst remaining true to Henry Miller’s anarchic and joyful novella. Thorsen was unarguably one of Denmark’s most inventive and revolutionary filmmakers and Quiet Days in Clichy can be viewed in relation to his engagement with the concepts of the SI.https://journals.openedition.org/ejas/11624Quiet Days in ClichyJens Jorgen ThorsenHenry Millerthe Situationist InternationalPsychogeography
spellingShingle Jennifer Cowe
Sex and the City: A Situationist Reading of Jens Jorgen Thorsen’s Film Adaptation of Henry Miller’s Quiet Days in Clichy
European Journal of American Studies
Quiet Days in Clichy
Jens Jorgen Thorsen
Henry Miller
the Situationist International
Psychogeography
title Sex and the City: A Situationist Reading of Jens Jorgen Thorsen’s Film Adaptation of Henry Miller’s Quiet Days in Clichy
title_full Sex and the City: A Situationist Reading of Jens Jorgen Thorsen’s Film Adaptation of Henry Miller’s Quiet Days in Clichy
title_fullStr Sex and the City: A Situationist Reading of Jens Jorgen Thorsen’s Film Adaptation of Henry Miller’s Quiet Days in Clichy
title_full_unstemmed Sex and the City: A Situationist Reading of Jens Jorgen Thorsen’s Film Adaptation of Henry Miller’s Quiet Days in Clichy
title_short Sex and the City: A Situationist Reading of Jens Jorgen Thorsen’s Film Adaptation of Henry Miller’s Quiet Days in Clichy
title_sort sex and the city a situationist reading of jens jorgen thorsen s film adaptation of henry miller s quiet days in clichy
topic Quiet Days in Clichy
Jens Jorgen Thorsen
Henry Miller
the Situationist International
Psychogeography
url https://journals.openedition.org/ejas/11624
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