Die Sonette an Orpheus by Rainer Maria Rilke from the perspective of the Mɨnɨka rafue

Here are analyzed Die Sonette an Orpheus (1922) by Rainer Maria Rilke from an indigenous theoretical framework with two purposes: 1. To explore the intercultural possibilities of literary studies. 2. Highlight the aesthetic modernity of oral poetry. The ancestral conception of the Mɨnɨka around the...

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Main Author: Selnich Vivas Hurtado
Format: Article
Language:English
Published: Universidad Nacional de Colombia 2018-01-01
Series:Mundo Amazónico
Subjects:
Online Access:https://revistas.unal.edu.co/index.php/imanimundo/article/view/66849
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author Selnich Vivas Hurtado
author_facet Selnich Vivas Hurtado
author_sort Selnich Vivas Hurtado
collection DOAJ
description Here are analyzed Die Sonette an Orpheus (1922) by Rainer Maria Rilke from an indigenous theoretical framework with two purposes: 1. To explore the intercultural possibilities of literary studies. 2. Highlight the aesthetic modernity of oral poetry. The ancestral conception of the Mɨnɨka around the rafue ceremony, during which they dance, sing and share food and medicine with guests, is a valuable source for studying modern poetry. This article makes it possible to trace the similarities between modern poetry in German language and oral poetry in Mɨnɨka language. In both cases poetry is considered as a healing process. The territory of the Mɨnɨka is located between the Colombian rivers Caraparaná, Igaraparaná, Putuyamo and Caquetá. Rilke was never there, but apparently he was attracted to Indian languages and ancestral poetics, as was usual in his day.
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spelling doaj.art-73acf64e2a9342f18cf2c3105537f2b42022-12-22T02:42:11ZengUniversidad Nacional de ColombiaMundo Amazónico2145-50742145-50822018-01-019110.15446/ma.v9n1.6684948186Die Sonette an Orpheus by Rainer Maria Rilke from the perspective of the Mɨnɨka rafueSelnich Vivas Hurtado0Universidad de AntioquiaHere are analyzed Die Sonette an Orpheus (1922) by Rainer Maria Rilke from an indigenous theoretical framework with two purposes: 1. To explore the intercultural possibilities of literary studies. 2. Highlight the aesthetic modernity of oral poetry. The ancestral conception of the Mɨnɨka around the rafue ceremony, during which they dance, sing and share food and medicine with guests, is a valuable source for studying modern poetry. This article makes it possible to trace the similarities between modern poetry in German language and oral poetry in Mɨnɨka language. In both cases poetry is considered as a healing process. The territory of the Mɨnɨka is located between the Colombian rivers Caraparaná, Igaraparaná, Putuyamo and Caquetá. Rilke was never there, but apparently he was attracted to Indian languages and ancestral poetics, as was usual in his day.https://revistas.unal.edu.co/index.php/imanimundo/article/view/66849Rilkerafue mɨnɨkaestudios literarios interculturalespoéticas ancestrales
spellingShingle Selnich Vivas Hurtado
Die Sonette an Orpheus by Rainer Maria Rilke from the perspective of the Mɨnɨka rafue
Mundo Amazónico
Rilke
rafue mɨnɨka
estudios literarios interculturales
poéticas ancestrales
title Die Sonette an Orpheus by Rainer Maria Rilke from the perspective of the Mɨnɨka rafue
title_full Die Sonette an Orpheus by Rainer Maria Rilke from the perspective of the Mɨnɨka rafue
title_fullStr Die Sonette an Orpheus by Rainer Maria Rilke from the perspective of the Mɨnɨka rafue
title_full_unstemmed Die Sonette an Orpheus by Rainer Maria Rilke from the perspective of the Mɨnɨka rafue
title_short Die Sonette an Orpheus by Rainer Maria Rilke from the perspective of the Mɨnɨka rafue
title_sort die sonette an orpheus by rainer maria rilke from the perspective of the minika rafue
topic Rilke
rafue mɨnɨka
estudios literarios interculturales
poéticas ancestrales
url https://revistas.unal.edu.co/index.php/imanimundo/article/view/66849
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