| Summary: | This article analyses <i>Get Back</i> (2016), a play written by Diego Ameixeiras and directed by Jorge Coira. The text will be considered an example of an early Brexit narrative, and it will serve to explore how the new Galician diaspora is represented through the arts. Issues related to migration, racism, and precariousness bloom naturally from a play that gathers four Galician migrants in London, together with a British-born character, inside one of the carriages of the Tube. Old and new waves of Galician migrants will be juxtaposed through different characters, illustrating the complexity of this recent migratory phenomenon. Several stereotypes will be exposed to increase how Ameixeiras constructs generational and gender gaps existing among Pepe, Luisa, Rafa and Iria, four immigrants who find themselves sharing a carriage on the London Underground sometime during the aftermath of Brexit. Thanks to the multiple dichotomies and arguments that create an ambivalent sense of Galician identity abroad, the play runs very smoothly. The different points of view found in the text will reflect on the subaltern status of the characters, who seem to struggle to find their place in their host country.
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