Café Culture as Decolonial Feminist Praxis: Scherezade García’s <i>Blame … Coffee</i>
This article provides a decolonial feminist analysis of Latinx artist Scherezade García’s most recent portable mural, <i>Blame it on the bean: the power of Coffee</i> (2019), created for and installed in the café and library of The People’s Forum, a “movement incubator for working class...
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| Format: | Article |
| Language: | English |
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MDPI AG
2021-02-01
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| Series: | Humanities |
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| Online Access: | https://www.mdpi.com/2076-0787/10/1/35 |
| _version_ | 1827588373610496000 |
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| author | Lesley A. Wolff |
| author_facet | Lesley A. Wolff |
| author_sort | Lesley A. Wolff |
| collection | DOAJ |
| description | This article provides a decolonial feminist analysis of Latinx artist Scherezade García’s most recent portable mural, <i>Blame it on the bean: the power of Coffee</i> (2019), created for and installed in the café and library of The People’s Forum, a “movement incubator for working class and marginalized communities” and “collective action” in the heart of Manhattan. This artwork depicts three allegorical women convening over cups of coffee, one of which has precariously overflowed onto a miniaturized portrait of Napoleon Bonaparte, whose undoing was said to have been facilitated by his excessive indulgence in coffee and other commodities of empire. Historically, coffee production was bound to imperial plantocracies, enslavement, and patriarchal networks; today, the industry remains a continued site of oppression and erasure for female workers around the globe. By placing this mural in conversation with the portable material economies of the Caribbean, the gendered history of coffee production and consumption, and the history of female representation in art, this article argues that the mural dismantles heteropatriarchal conventions precisely by invoking café culture—the very mode of social performance that García’s work critiques. In so doing, García subverts the problematically gendered and racialized heritage of coffee with a matriarchal <i>Afrolatinidad</i> that, in the artist’s words, “colonizes the colonizer.” |
| first_indexed | 2024-03-09T00:33:30Z |
| format | Article |
| id | doaj.art-7464e1e3bfef45d79c4d156cbdb0f3cf |
| institution | Directory Open Access Journal |
| issn | 2076-0787 |
| language | English |
| last_indexed | 2024-03-09T00:33:30Z |
| publishDate | 2021-02-01 |
| publisher | MDPI AG |
| record_format | Article |
| series | Humanities |
| spelling | doaj.art-7464e1e3bfef45d79c4d156cbdb0f3cf2023-12-11T18:19:24ZengMDPI AGHumanities2076-07872021-02-011013510.3390/h10010035Café Culture as Decolonial Feminist Praxis: Scherezade García’s <i>Blame … Coffee</i>Lesley A. Wolff0School of Art, Texas Tech University, 3010 18th St., Lubbock, TX 79409, USAThis article provides a decolonial feminist analysis of Latinx artist Scherezade García’s most recent portable mural, <i>Blame it on the bean: the power of Coffee</i> (2019), created for and installed in the café and library of The People’s Forum, a “movement incubator for working class and marginalized communities” and “collective action” in the heart of Manhattan. This artwork depicts three allegorical women convening over cups of coffee, one of which has precariously overflowed onto a miniaturized portrait of Napoleon Bonaparte, whose undoing was said to have been facilitated by his excessive indulgence in coffee and other commodities of empire. Historically, coffee production was bound to imperial plantocracies, enslavement, and patriarchal networks; today, the industry remains a continued site of oppression and erasure for female workers around the globe. By placing this mural in conversation with the portable material economies of the Caribbean, the gendered history of coffee production and consumption, and the history of female representation in art, this article argues that the mural dismantles heteropatriarchal conventions precisely by invoking café culture—the very mode of social performance that García’s work critiques. In so doing, García subverts the problematically gendered and racialized heritage of coffee with a matriarchal <i>Afrolatinidad</i> that, in the artist’s words, “colonizes the colonizer.”https://www.mdpi.com/2076-0787/10/1/35contemporary artCaribbeanfeminismdecolonial theorycoffeecolonialism |
| spellingShingle | Lesley A. Wolff Café Culture as Decolonial Feminist Praxis: Scherezade García’s <i>Blame … Coffee</i> Humanities contemporary art Caribbean feminism decolonial theory coffee colonialism |
| title | Café Culture as Decolonial Feminist Praxis: Scherezade García’s <i>Blame … Coffee</i> |
| title_full | Café Culture as Decolonial Feminist Praxis: Scherezade García’s <i>Blame … Coffee</i> |
| title_fullStr | Café Culture as Decolonial Feminist Praxis: Scherezade García’s <i>Blame … Coffee</i> |
| title_full_unstemmed | Café Culture as Decolonial Feminist Praxis: Scherezade García’s <i>Blame … Coffee</i> |
| title_short | Café Culture as Decolonial Feminist Praxis: Scherezade García’s <i>Blame … Coffee</i> |
| title_sort | cafe culture as decolonial feminist praxis scherezade garcia s i blame coffee i |
| topic | contemporary art Caribbean feminism decolonial theory coffee colonialism |
| url | https://www.mdpi.com/2076-0787/10/1/35 |
| work_keys_str_mv | AT lesleyawolff cafecultureasdecolonialfeministpraxisscherezadegarciasiblamecoffeei |