Cultural Hybridization in Christian China: The Art of <i>Cloisonné</i> at The Service of God

The usual conception of traditional Chinese art tends to forget the existence of a rich cultural legacy of Christian origin that has been reflected in the manufacture of ritual objects for the convert communities and European missionaries in China. Among the most used techniques, <i>cloisonné&...

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Main Authors: Manuel Parada López de Corselas, Alberto A. Vela-Rodrigo
Format: Article
Language:English
Published: MDPI AG 2021-12-01
Series:Religions
Subjects:
Online Access:https://www.mdpi.com/2077-1444/12/12/1103
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author Manuel Parada López de Corselas
Alberto A. Vela-Rodrigo
author_facet Manuel Parada López de Corselas
Alberto A. Vela-Rodrigo
author_sort Manuel Parada López de Corselas
collection DOAJ
description The usual conception of traditional Chinese art tends to forget the existence of a rich cultural legacy of Christian origin that has been reflected in the manufacture of ritual objects for the convert communities and European missionaries in China. Among the most used techniques, <i>cloisonné</i> stands out, with important liturgical or decorative pieces treasured by missionaries and collectors, many of them in Western museums today. This work tries to make an approximation to some of those ritual objects used by the Christian Chinese communities that reflect the great influence that the Western artistic models had in the conception of art as a result of the cultural hybridization between both worlds.
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spelling doaj.art-746ce75b3fb14bd49c57ef82bdfd65f02023-11-23T10:22:39ZengMDPI AGReligions2077-14442021-12-011212110310.3390/rel12121103Cultural Hybridization in Christian China: The Art of <i>Cloisonné</i> at The Service of GodManuel Parada López de Corselas0Alberto A. Vela-Rodrigo1Department of Art History, University of Valladolid, 47011 Valladolid, SpainFaculty of Arts, University of Zaragoza, 50009 Zaragoza, SpainThe usual conception of traditional Chinese art tends to forget the existence of a rich cultural legacy of Christian origin that has been reflected in the manufacture of ritual objects for the convert communities and European missionaries in China. Among the most used techniques, <i>cloisonné</i> stands out, with important liturgical or decorative pieces treasured by missionaries and collectors, many of them in Western museums today. This work tries to make an approximation to some of those ritual objects used by the Christian Chinese communities that reflect the great influence that the Western artistic models had in the conception of art as a result of the cultural hybridization between both worlds.https://www.mdpi.com/2077-1444/12/12/1103Chinese artChinaChristianity<i>cloisonné</i>hybridizationmissionaries
spellingShingle Manuel Parada López de Corselas
Alberto A. Vela-Rodrigo
Cultural Hybridization in Christian China: The Art of <i>Cloisonné</i> at The Service of God
Religions
Chinese art
China
Christianity
<i>cloisonné</i>
hybridization
missionaries
title Cultural Hybridization in Christian China: The Art of <i>Cloisonné</i> at The Service of God
title_full Cultural Hybridization in Christian China: The Art of <i>Cloisonné</i> at The Service of God
title_fullStr Cultural Hybridization in Christian China: The Art of <i>Cloisonné</i> at The Service of God
title_full_unstemmed Cultural Hybridization in Christian China: The Art of <i>Cloisonné</i> at The Service of God
title_short Cultural Hybridization in Christian China: The Art of <i>Cloisonné</i> at The Service of God
title_sort cultural hybridization in christian china the art of i cloisonne i at the service of god
topic Chinese art
China
Christianity
<i>cloisonné</i>
hybridization
missionaries
url https://www.mdpi.com/2077-1444/12/12/1103
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