Simonetto: Gabriellino d’Annunzio tra Moretti e Marinetti

The retrieval of a letter written by Gabriellino d’Annunzio to Marino Moretti takes the reader behind the stage of the Manzoni Theatre in Milan on 27 March 1905. It was the first staging of Gabriele d’Annunzio’s play La fiaccola sotto il moggio (The light under the bushel), and Gabriellino played...

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Main Author: Imbriani, Maria Teresa
Format: Article
Language:Italian
Published: Fondazione Università Ca’ Foscari 2014-10-01
Series:Archivio d’Annunzio
Online Access:http://doi.org/10.14277/2421-292X/454
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author Imbriani, Maria Teresa
author_facet Imbriani, Maria Teresa
author_sort Imbriani, Maria Teresa
collection DOAJ
description The retrieval of a letter written by Gabriellino d’Annunzio to Marino Moretti takes the reader behind the stage of the Manzoni Theatre in Milan on 27 March 1905. It was the first staging of Gabriele d’Annunzio’s play La fiaccola sotto il moggio (The light under the bushel), and Gabriellino played Simonetto, the female lead’s brother. His interpretation received mixed reviews, mainly due to the hysterical tone he gave to the character. Numerous sources refer to that première: not only Moretti’s writings but also various contemporary chronicles, as well as Filippo Tommaso Marinetti’a volume Les dieux s’en vont, D’Annunzio reste, in which the author describes and comments the staging. The various sources testify to Gabriele d’Annunzio’s disillusionment towards his own directorial experiment.
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spelling doaj.art-747fd51e2a044e7e90521adc9a5f72b42024-08-03T07:07:51ZitaFondazione Università Ca’ FoscariArchivio d’Annunzio2421-292X2014-10-011110.14277/2421-292X/454journal_article_93Simonetto: Gabriellino d’Annunzio tra Moretti e MarinettiImbriani, Maria Teresa0Università degli Studi della Basilicata, Italia The retrieval of a letter written by Gabriellino d’Annunzio to Marino Moretti takes the reader behind the stage of the Manzoni Theatre in Milan on 27 March 1905. It was the first staging of Gabriele d’Annunzio’s play La fiaccola sotto il moggio (The light under the bushel), and Gabriellino played Simonetto, the female lead’s brother. His interpretation received mixed reviews, mainly due to the hysterical tone he gave to the character. Numerous sources refer to that première: not only Moretti’s writings but also various contemporary chronicles, as well as Filippo Tommaso Marinetti’a volume Les dieux s’en vont, D’Annunzio reste, in which the author describes and comments the staging. The various sources testify to Gabriele d’Annunzio’s disillusionment towards his own directorial experiment. http://doi.org/10.14277/2421-292X/454
spellingShingle Imbriani, Maria Teresa
Simonetto: Gabriellino d’Annunzio tra Moretti e Marinetti
Archivio d’Annunzio
title Simonetto: Gabriellino d’Annunzio tra Moretti e Marinetti
title_full Simonetto: Gabriellino d’Annunzio tra Moretti e Marinetti
title_fullStr Simonetto: Gabriellino d’Annunzio tra Moretti e Marinetti
title_full_unstemmed Simonetto: Gabriellino d’Annunzio tra Moretti e Marinetti
title_short Simonetto: Gabriellino d’Annunzio tra Moretti e Marinetti
title_sort simonetto gabriellino d annunzio tra moretti e marinetti
url http://doi.org/10.14277/2421-292X/454
work_keys_str_mv AT imbrianimariateresa simonettogabriellinodannunziotramorettiemarinetti