The Politics of Genre and Gender in Tabitha Gilman Tenney’s Female Quixotism

The present article focuses on transatlantic female quixotism, as enacted by Tabitha Tenney’s heroine, Dorcasina Sheldon. I argue that quixotism can be read as an interface between the events of the story and the Federalist conservative discourse that underlies them. In doing so, I claim that, in te...

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Main Author: Ivana Dragoş
Format: Article
Language:English
Published: De Gruyter 2017-12-01
Series:Open Cultural Studies
Subjects:
Online Access:https://doi.org/10.1515/culture-2017-0043
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author Ivana Dragoş
author_facet Ivana Dragoş
author_sort Ivana Dragoş
collection DOAJ
description The present article focuses on transatlantic female quixotism, as enacted by Tabitha Tenney’s heroine, Dorcasina Sheldon. I argue that quixotism can be read as an interface between the events of the story and the Federalist conservative discourse that underlies them. In doing so, I claim that, in terms of gender, the heroine’s misreading of romances transforms her into a political tool whereby the ideals of female freedom and agency, social mobility, gender equality, racial equity and abolitionism-effective under Thomas Jefferson’s administration-are satirically depicted and seen as delusory in post-Revolutionary America. In terms of generic categories, I will show how Female Quixotism blurs the epistemological boundaries between truth and fiction by juxtaposing novel and romance, used interchangeably, with history.
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spelling doaj.art-74ab719aa4754d39a4c5a25b37a4cff12022-12-21T21:28:11ZengDe GruyterOpen Cultural Studies2451-34742017-12-011146847410.1515/culture-2017-0043culture-2017-0043The Politics of Genre and Gender in Tabitha Gilman Tenney’s Female QuixotismIvana Dragoş0Department of English, University of Bucharest, Bucharest, 010451, RomaniaThe present article focuses on transatlantic female quixotism, as enacted by Tabitha Tenney’s heroine, Dorcasina Sheldon. I argue that quixotism can be read as an interface between the events of the story and the Federalist conservative discourse that underlies them. In doing so, I claim that, in terms of gender, the heroine’s misreading of romances transforms her into a political tool whereby the ideals of female freedom and agency, social mobility, gender equality, racial equity and abolitionism-effective under Thomas Jefferson’s administration-are satirically depicted and seen as delusory in post-Revolutionary America. In terms of generic categories, I will show how Female Quixotism blurs the epistemological boundaries between truth and fiction by juxtaposing novel and romance, used interchangeably, with history.https://doi.org/10.1515/culture-2017-0043early american novelromancethe female quixotemisreadingfederalism
spellingShingle Ivana Dragoş
The Politics of Genre and Gender in Tabitha Gilman Tenney’s Female Quixotism
Open Cultural Studies
early american novel
romance
the female quixote
misreading
federalism
title The Politics of Genre and Gender in Tabitha Gilman Tenney’s Female Quixotism
title_full The Politics of Genre and Gender in Tabitha Gilman Tenney’s Female Quixotism
title_fullStr The Politics of Genre and Gender in Tabitha Gilman Tenney’s Female Quixotism
title_full_unstemmed The Politics of Genre and Gender in Tabitha Gilman Tenney’s Female Quixotism
title_short The Politics of Genre and Gender in Tabitha Gilman Tenney’s Female Quixotism
title_sort politics of genre and gender in tabitha gilman tenney s female quixotism
topic early american novel
romance
the female quixote
misreading
federalism
url https://doi.org/10.1515/culture-2017-0043
work_keys_str_mv AT ivanadragos thepoliticsofgenreandgenderintabithagilmantenneysfemalequixotism
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