Novo do velho: a poesia experimental dos poetas ensaístas Haroldo e Augusto de Campos
To discuss sharp poetry of sound and visual expression, which shares the sense of renewing the old, but not strays from the old, or create the new, returning to the origin, is one of the main reasons of this article. More than baroque style in the twentieth century or break with the past, we investi...
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| Format: | Article |
| Language: | English |
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Universidade Federal de Minas Gerais
2015-07-01
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| Series: | Texto Livre: Linguagem e Tecnologia |
| Subjects: | |
| Online Access: | http://www.periodicos.letras.ufmg.br/index.php/textolivre/article/view/8017 |
| _version_ | 1831738566984597504 |
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| author | Carolina Tomasi |
| author_facet | Carolina Tomasi |
| author_sort | Carolina Tomasi |
| collection | DOAJ |
| description | To discuss sharp poetry of sound and visual expression, which shares the sense of renewing the old, but not strays from the old, or create the new, returning to the origin, is one of the main reasons of this article. More than baroque style in the twentieth century or break with the past, we investigated that the poets Haroldo de Campos, Augusto de Campos and Affonso Ávila share sharpness procedures that differ by participating in different discursive tenses, the baroque speech is one thing and the so called “new baroque” speech is another thing. Since then, the vanguard is no longer an operational category, but a point in the evolutionary line. We have thus a Haroldo de Campos that questions the literary history of Antonio Candido, proposing it not as a training but a transformation; less as a process that forms and more like a gerundive process, in which stand out the moments of rupture, understanding the tradition as a dialectical procedure, which puts diachrony and synchrony face to face. For exemplification of reflections we based on the poems “Oportet" by Haroldo de Campos and “Novo Novelo" by Augusto de Campos to discuss a recurrent theme in the literature: tradition and rupture, considering questionable the label "neo-baroque" in Brazilian literature. |
| first_indexed | 2024-12-21T13:23:40Z |
| format | Article |
| id | doaj.art-74c48ae34f9241f7864fe683e5a410a3 |
| institution | Directory Open Access Journal |
| issn | 1983-3652 |
| language | English |
| last_indexed | 2024-12-21T13:23:40Z |
| publishDate | 2015-07-01 |
| publisher | Universidade Federal de Minas Gerais |
| record_format | Article |
| series | Texto Livre: Linguagem e Tecnologia |
| spelling | doaj.art-74c48ae34f9241f7864fe683e5a410a32022-12-21T19:02:31ZengUniversidade Federal de Minas GeraisTexto Livre: Linguagem e Tecnologia1983-36522015-07-0181146161http://dx.doi.org/10.17851/1983-3652.8.1.146-161Novo do velho: a poesia experimental dos poetas ensaístas Haroldo e Augusto de CamposCarolina Tomasi0Universidade de São PauloTo discuss sharp poetry of sound and visual expression, which shares the sense of renewing the old, but not strays from the old, or create the new, returning to the origin, is one of the main reasons of this article. More than baroque style in the twentieth century or break with the past, we investigated that the poets Haroldo de Campos, Augusto de Campos and Affonso Ávila share sharpness procedures that differ by participating in different discursive tenses, the baroque speech is one thing and the so called “new baroque” speech is another thing. Since then, the vanguard is no longer an operational category, but a point in the evolutionary line. We have thus a Haroldo de Campos that questions the literary history of Antonio Candido, proposing it not as a training but a transformation; less as a process that forms and more like a gerundive process, in which stand out the moments of rupture, understanding the tradition as a dialectical procedure, which puts diachrony and synchrony face to face. For exemplification of reflections we based on the poems “Oportet" by Haroldo de Campos and “Novo Novelo" by Augusto de Campos to discuss a recurrent theme in the literature: tradition and rupture, considering questionable the label "neo-baroque" in Brazilian literature.http://www.periodicos.letras.ufmg.br/index.php/textolivre/article/view/8017Brazilian LiteratureExperimentalist poetryBaroqueNeo-BaroqueTensive semiotic |
| spellingShingle | Carolina Tomasi Novo do velho: a poesia experimental dos poetas ensaístas Haroldo e Augusto de Campos Texto Livre: Linguagem e Tecnologia Brazilian Literature Experimentalist poetry Baroque Neo-Baroque Tensive semiotic |
| title | Novo do velho: a poesia experimental dos poetas ensaístas Haroldo e Augusto de Campos |
| title_full | Novo do velho: a poesia experimental dos poetas ensaístas Haroldo e Augusto de Campos |
| title_fullStr | Novo do velho: a poesia experimental dos poetas ensaístas Haroldo e Augusto de Campos |
| title_full_unstemmed | Novo do velho: a poesia experimental dos poetas ensaístas Haroldo e Augusto de Campos |
| title_short | Novo do velho: a poesia experimental dos poetas ensaístas Haroldo e Augusto de Campos |
| title_sort | novo do velho a poesia experimental dos poetas ensaistas haroldo e augusto de campos |
| topic | Brazilian Literature Experimentalist poetry Baroque Neo-Baroque Tensive semiotic |
| url | http://www.periodicos.letras.ufmg.br/index.php/textolivre/article/view/8017 |
| work_keys_str_mv | AT carolinatomasi novodovelhoapoesiaexperimentaldospoetasensaistasharoldoeaugustodecampos |