Alfred Hitchcock’s Vertigo and the Pygmalion Myth Reconsidered

Alfred Hitchcock’s film Vertigo (1958) has attracted the interest of classical reception scholars because of its adaptation of Ovid’s Pygmalion myth. Scottie, the film’s main character, has been interpreted as a re-enactment of Pygmalion, a character in the Metamorphoses who sculpted his ideal woman...

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Main Author: Silvio Friedrich Bär
Format: Article
Language:Portuguese
Published: Coimbra University Press 2020-11-01
Series:Boletim de Estudos Clássicos
Subjects:
Online Access:https://impactum-journals.uc.pt/bec/article/view/8046
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author Silvio Friedrich Bär
author_facet Silvio Friedrich Bär
author_sort Silvio Friedrich Bär
collection DOAJ
description Alfred Hitchcock’s film Vertigo (1958) has attracted the interest of classical reception scholars because of its adaptation of Ovid’s Pygmalion myth. Scottie, the film’s main character, has been interpreted as a re-enactment of Pygmalion, a character in the Metamorphoses who sculpted his ideal woman out of ivory. In this article, the idea of a direct line of reception from Ovid to Hitchcock is challenged. Rather, the principal model of the film is identified as George Bernard Shaw’s drama Pygmalion (1913). However, Ovid’s Pygmalion story does constitute a model for the film as well, though it does so on a more indirect level. In fact, all the film’s main characters display Ovidian traits. These add an extra layer of meaning to the understanding of the film and the complexity of its characters, and allow for an unexpected re-interpretation of Scottie and his desires.
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spelling doaj.art-74fe977d956e40a7a9dece0831400ac62022-12-21T23:11:48ZporCoimbra University PressBoletim de Estudos Clássicos0872-21102183-72602020-11-016510.14195/2183-7260_65_5Alfred Hitchcock’s Vertigo and the Pygmalion Myth ReconsideredSilvio Friedrich Bär0University of OsloAlfred Hitchcock’s film Vertigo (1958) has attracted the interest of classical reception scholars because of its adaptation of Ovid’s Pygmalion myth. Scottie, the film’s main character, has been interpreted as a re-enactment of Pygmalion, a character in the Metamorphoses who sculpted his ideal woman out of ivory. In this article, the idea of a direct line of reception from Ovid to Hitchcock is challenged. Rather, the principal model of the film is identified as George Bernard Shaw’s drama Pygmalion (1913). However, Ovid’s Pygmalion story does constitute a model for the film as well, though it does so on a more indirect level. In fact, all the film’s main characters display Ovidian traits. These add an extra layer of meaning to the understanding of the film and the complexity of its characters, and allow for an unexpected re-interpretation of Scottie and his desires.https://impactum-journals.uc.pt/bec/article/view/8046OvidMetamorphosesPygmalionAlfred HitchcockVertigo
spellingShingle Silvio Friedrich Bär
Alfred Hitchcock’s Vertigo and the Pygmalion Myth Reconsidered
Boletim de Estudos Clássicos
Ovid
Metamorphoses
Pygmalion
Alfred Hitchcock
Vertigo
title Alfred Hitchcock’s Vertigo and the Pygmalion Myth Reconsidered
title_full Alfred Hitchcock’s Vertigo and the Pygmalion Myth Reconsidered
title_fullStr Alfred Hitchcock’s Vertigo and the Pygmalion Myth Reconsidered
title_full_unstemmed Alfred Hitchcock’s Vertigo and the Pygmalion Myth Reconsidered
title_short Alfred Hitchcock’s Vertigo and the Pygmalion Myth Reconsidered
title_sort alfred hitchcock s vertigo and the pygmalion myth reconsidered
topic Ovid
Metamorphoses
Pygmalion
Alfred Hitchcock
Vertigo
url https://impactum-journals.uc.pt/bec/article/view/8046
work_keys_str_mv AT silviofriedrichbar alfredhitchcocksvertigoandthepygmalionmythreconsidered