Implicit Processing of Pitch in Postlingually Deafened Cochlear Implant Users

Cochlear implant (CI) users can only access limited pitch information through their device, which hinders music appreciation. Poor music perception may not only be due to CI technical limitations; lack of training or negative attitudes toward the electric sound might also contribute to it. Our study...

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Main Authors: Barbara Tillmann, Bénédicte Poulin-Charronnat, Etienne Gaudrain, Idrick Akhoun, Charles Delbé, Eric Truy, Lionel Collet
Format: Article
Language:English
Published: Frontiers Media S.A. 2019-09-01
Series:Frontiers in Psychology
Subjects:
Online Access:https://www.frontiersin.org/article/10.3389/fpsyg.2019.01990/full
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author Barbara Tillmann
Barbara Tillmann
Barbara Tillmann
Bénédicte Poulin-Charronnat
Bénédicte Poulin-Charronnat
Bénédicte Poulin-Charronnat
Bénédicte Poulin-Charronnat
Etienne Gaudrain
Etienne Gaudrain
Etienne Gaudrain
Etienne Gaudrain
Idrick Akhoun
Charles Delbé
Charles Delbé
Charles Delbé
Charles Delbé
Eric Truy
Eric Truy
Eric Truy
Lionel Collet
Lionel Collet
author_facet Barbara Tillmann
Barbara Tillmann
Barbara Tillmann
Bénédicte Poulin-Charronnat
Bénédicte Poulin-Charronnat
Bénédicte Poulin-Charronnat
Bénédicte Poulin-Charronnat
Etienne Gaudrain
Etienne Gaudrain
Etienne Gaudrain
Etienne Gaudrain
Idrick Akhoun
Charles Delbé
Charles Delbé
Charles Delbé
Charles Delbé
Eric Truy
Eric Truy
Eric Truy
Lionel Collet
Lionel Collet
author_sort Barbara Tillmann
collection DOAJ
description Cochlear implant (CI) users can only access limited pitch information through their device, which hinders music appreciation. Poor music perception may not only be due to CI technical limitations; lack of training or negative attitudes toward the electric sound might also contribute to it. Our study investigated with an implicit (indirect) investigation method whether poorly transmitted pitch information, presented as musical chords, can activate listeners’ knowledge about musical structures acquired prior to deafness. Seven postlingually deafened adult CI users participated in a musical priming paradigm investigating pitch processing without explicit judgments. Sequences made of eight sung-chords that ended on either a musically related (expected) target chord or a less-related (less-expected) target chord were presented. The use of a priming task based on linguistic features allowed CI patients to perform fast judgments on target chords in the sung music. If listeners’ musical knowledge is activated and allows for tonal expectations (as in normal-hearing listeners), faster response times were expected for related targets than less-related targets. However, if the pitch percept is too different and does not activate musical knowledge acquired prior to deafness, storing pitch information in a short-term memory buffer predicts the opposite pattern. If transmitted pitch information is too poor, no difference in response times should be observed. Results showed that CI patients were able to perform the linguistic task on the sung chords, but correct response times indicated sensory priming, with faster response times observed for the less-related targets: CI patients processed at least some of the pitch information of the musical sequences, which was stored in an auditory short-term memory and influenced chord processing. This finding suggests that the signal transmitted via electric hearing led to a pitch percept that was too different from that based on acoustic hearing, so that it did not automatically activate listeners’ previously acquired musical structure knowledge. However, the transmitted signal seems sufficiently informative to lead to sensory priming. These findings are encouraging for the development of pitch-related training programs for CI patients, despite the current technological limitations of the CI coding.
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spelling doaj.art-757659d8928441268b862128333461212022-12-22T03:19:39ZengFrontiers Media S.A.Frontiers in Psychology1664-10782019-09-011010.3389/fpsyg.2019.01990469256Implicit Processing of Pitch in Postlingually Deafened Cochlear Implant UsersBarbara Tillmann0Barbara Tillmann1Barbara Tillmann2Bénédicte Poulin-Charronnat3Bénédicte Poulin-Charronnat4Bénédicte Poulin-Charronnat5Bénédicte Poulin-Charronnat6Etienne Gaudrain7Etienne Gaudrain8Etienne Gaudrain9Etienne Gaudrain10Idrick Akhoun11Charles Delbé12Charles Delbé13Charles Delbé14Charles Delbé15Eric Truy16Eric Truy17Eric Truy18Lionel Collet19Lionel Collet20CNRS UMR5292, INSERM U1028, Auditory Cognition and Psychoacoustics Team, Lyon Neuroscience Research Center, Lyon, FranceUniversity of Lyon, Lyon, FranceUniversité Claude Bernard Lyon 1, Villeurbanne, FranceCNRS UMR5292, INSERM U1028, Auditory Cognition and Psychoacoustics Team, Lyon Neuroscience Research Center, Lyon, FranceUniversity of Lyon, Lyon, FranceUniversité Claude Bernard Lyon 1, Villeurbanne, FranceLEAD-CNRS, UMR5022, Université Bourgogne Franche-Comté, Dijon, FranceCNRS UMR5292, INSERM U1028, Auditory Cognition and Psychoacoustics Team, Lyon Neuroscience Research Center, Lyon, FranceUniversity of Lyon, Lyon, FranceUniversité Claude Bernard Lyon 1, Villeurbanne, FranceUniversity Medical Center Groningen, University of Groningen, Groningen, NetherlandsSchool of Psychological Sciences, The University of Manchester, Manchester, United KingdomCNRS UMR5292, INSERM U1028, Auditory Cognition and Psychoacoustics Team, Lyon Neuroscience Research Center, Lyon, FranceUniversity of Lyon, Lyon, FranceUniversité Claude Bernard Lyon 1, Villeurbanne, FranceLEAD-CNRS, UMR5022, Université Bourgogne Franche-Comté, Dijon, FranceUniversity of Lyon, Lyon, FranceUniversité Claude Bernard Lyon 1, Villeurbanne, FranceCNRS UMR5292, INSERM U1028, Brain Dynamics and Cognition Team, Lyon Neuroscience Research Center, Lyon, FranceUniversity of Lyon, Lyon, FranceUniversité Claude Bernard Lyon 1, Villeurbanne, FranceCochlear implant (CI) users can only access limited pitch information through their device, which hinders music appreciation. Poor music perception may not only be due to CI technical limitations; lack of training or negative attitudes toward the electric sound might also contribute to it. Our study investigated with an implicit (indirect) investigation method whether poorly transmitted pitch information, presented as musical chords, can activate listeners’ knowledge about musical structures acquired prior to deafness. Seven postlingually deafened adult CI users participated in a musical priming paradigm investigating pitch processing without explicit judgments. Sequences made of eight sung-chords that ended on either a musically related (expected) target chord or a less-related (less-expected) target chord were presented. The use of a priming task based on linguistic features allowed CI patients to perform fast judgments on target chords in the sung music. If listeners’ musical knowledge is activated and allows for tonal expectations (as in normal-hearing listeners), faster response times were expected for related targets than less-related targets. However, if the pitch percept is too different and does not activate musical knowledge acquired prior to deafness, storing pitch information in a short-term memory buffer predicts the opposite pattern. If transmitted pitch information is too poor, no difference in response times should be observed. Results showed that CI patients were able to perform the linguistic task on the sung chords, but correct response times indicated sensory priming, with faster response times observed for the less-related targets: CI patients processed at least some of the pitch information of the musical sequences, which was stored in an auditory short-term memory and influenced chord processing. This finding suggests that the signal transmitted via electric hearing led to a pitch percept that was too different from that based on acoustic hearing, so that it did not automatically activate listeners’ previously acquired musical structure knowledge. However, the transmitted signal seems sufficiently informative to lead to sensory priming. These findings are encouraging for the development of pitch-related training programs for CI patients, despite the current technological limitations of the CI coding.https://www.frontiersin.org/article/10.3389/fpsyg.2019.01990/fullmusic perceptioncochlear implantsimplicit investigation methodauditory sensory memorypriming
spellingShingle Barbara Tillmann
Barbara Tillmann
Barbara Tillmann
Bénédicte Poulin-Charronnat
Bénédicte Poulin-Charronnat
Bénédicte Poulin-Charronnat
Bénédicte Poulin-Charronnat
Etienne Gaudrain
Etienne Gaudrain
Etienne Gaudrain
Etienne Gaudrain
Idrick Akhoun
Charles Delbé
Charles Delbé
Charles Delbé
Charles Delbé
Eric Truy
Eric Truy
Eric Truy
Lionel Collet
Lionel Collet
Implicit Processing of Pitch in Postlingually Deafened Cochlear Implant Users
Frontiers in Psychology
music perception
cochlear implants
implicit investigation method
auditory sensory memory
priming
title Implicit Processing of Pitch in Postlingually Deafened Cochlear Implant Users
title_full Implicit Processing of Pitch in Postlingually Deafened Cochlear Implant Users
title_fullStr Implicit Processing of Pitch in Postlingually Deafened Cochlear Implant Users
title_full_unstemmed Implicit Processing of Pitch in Postlingually Deafened Cochlear Implant Users
title_short Implicit Processing of Pitch in Postlingually Deafened Cochlear Implant Users
title_sort implicit processing of pitch in postlingually deafened cochlear implant users
topic music perception
cochlear implants
implicit investigation method
auditory sensory memory
priming
url https://www.frontiersin.org/article/10.3389/fpsyg.2019.01990/full
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