Giving Voice: Narrating silence, history and memory in André Brink’s The Other Side of Silence and Before I Forget

This essay examines André P. Brink's two most recent novels, The Other Side of Silence (2002) and Before I Forget (2004), in terms of their voicing of silence and the rewriting of history and memory. Each has a theme familiar to Brink's readers - an historical story of colonial violence an...

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Main Author: Sue Kossew
Format: Article
Language:Afrikaans
Published: Tydskrif vir Letterkunde Association 2018-07-01
Series:Tydskrif vir Letterkunde
Subjects:
Online Access:https://journals.assaf.org.za/index.php/tvl/article/view/5361
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author Sue Kossew
author_facet Sue Kossew
author_sort Sue Kossew
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description This essay examines André P. Brink's two most recent novels, The Other Side of Silence (2002) and Before I Forget (2004), in terms of their voicing of silence and the rewriting of history and memory. Each has a theme familiar to Brink's readers - an historical story of colonial violence and violation avenged; and the recounting by an older writer of his "last love", respectively - and each is mediated by a male narrator. Both narrators, though, draw attention to the problems associated with this reconstructive and potentially appropriative storytelling. These texts thereby enact, in a more complex way than many of Brink's previous novels, the intersections of narrative, history and memory.
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spelling doaj.art-75d0a67a3638400ba86d45112a57b25b2022-12-22T01:17:44ZafrTydskrif vir Letterkunde AssociationTydskrif vir Letterkunde0041-476X2309-90702018-07-01421Giving Voice: Narrating silence, history and memory in André Brink’s The Other Side of Silence and Before I ForgetSue Kossew0University of Pretoria, PretoriaThis essay examines André P. Brink's two most recent novels, The Other Side of Silence (2002) and Before I Forget (2004), in terms of their voicing of silence and the rewriting of history and memory. Each has a theme familiar to Brink's readers - an historical story of colonial violence and violation avenged; and the recounting by an older writer of his "last love", respectively - and each is mediated by a male narrator. Both narrators, though, draw attention to the problems associated with this reconstructive and potentially appropriative storytelling. These texts thereby enact, in a more complex way than many of Brink's previous novels, the intersections of narrative, history and memory.https://journals.assaf.org.za/index.php/tvl/article/view/5361André P. BrinkThe Other Side of SilenceBefore I Forgetsilencehistory memory
spellingShingle Sue Kossew
Giving Voice: Narrating silence, history and memory in André Brink’s The Other Side of Silence and Before I Forget
Tydskrif vir Letterkunde
André P. Brink
The Other Side of Silence
Before I Forget
silence
history memory
title Giving Voice: Narrating silence, history and memory in André Brink’s The Other Side of Silence and Before I Forget
title_full Giving Voice: Narrating silence, history and memory in André Brink’s The Other Side of Silence and Before I Forget
title_fullStr Giving Voice: Narrating silence, history and memory in André Brink’s The Other Side of Silence and Before I Forget
title_full_unstemmed Giving Voice: Narrating silence, history and memory in André Brink’s The Other Side of Silence and Before I Forget
title_short Giving Voice: Narrating silence, history and memory in André Brink’s The Other Side of Silence and Before I Forget
title_sort giving voice narrating silence history and memory in andre brink s the other side of silence and before i forget
topic André P. Brink
The Other Side of Silence
Before I Forget
silence
history memory
url https://journals.assaf.org.za/index.php/tvl/article/view/5361
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