THE INSTRUMENTAL CONCERTO AS OBJECT OF SCIENTIFIC RESEARCH
The instrumental concerto is one of the oldest genres of European instrumental music whose history began about three centuries ago and is continuing at present demonstrating an extraordinary variety of forms and diversity of variants of its treatment. Approaching the concerto genre the researchers t...
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| Format: | Article |
| Language: | deu |
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Notograf Prim
2015-03-01
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| Series: | Studiul Artelor şi Culturologie: Istorie, Teorie, Practică |
| Subjects: | |
| Online Access: | http://revista.amtap.md/wp-content/files_mf/150979647914vandries_Concertulinstrumentalcaobiectalcercetariistiintifice.pdf |
| _version_ | 1818320772157931520 |
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| author | ANDRIEŞ VLADIMIR |
| author_facet | ANDRIEŞ VLADIMIR |
| author_sort | ANDRIEŞ VLADIMIR |
| collection | DOAJ |
| description | The instrumental concerto is one of the oldest genres of European instrumental music whose history began about three centuries ago and is continuing at present demonstrating an extraordinary variety of forms and diversity of variants of its treatment. Approaching the concerto genre the researchers try to establish the main features characteristic of this genre, to reveal its nature and to formulate a „pattern” or genetic canon of the concerto. In the article there is an analysis of the works of a lot of musicologists from different countries that are dedicated to the historical stylistic evolution of the concerto genre and to the study of the most relevant samples, from their origin (the 16th-17th centuries) up to the present time. In this context, of special interest are the studies signed by A. Veinus, M. Roeder, M. Steinberg, S. Keefe, I. Grebneva, E. Dolinscaia and other musicologists.
The article was written on the basis of the materials of the doctoral thesis „Concerto for Viola and Orchestra: Methods of Study” worked out under the supervision of the late scientist and university professor Vladimir Axionov. |
| first_indexed | 2024-12-13T10:30:19Z |
| format | Article |
| id | doaj.art-75ea5b2723b94a5ebe2ed6d8c11ed63e |
| institution | Directory Open Access Journal |
| issn | 2345-1408 2345-1831 |
| language | deu |
| last_indexed | 2024-12-13T10:30:19Z |
| publishDate | 2015-03-01 |
| publisher | Notograf Prim |
| record_format | Article |
| series | Studiul Artelor şi Culturologie: Istorie, Teorie, Practică |
| spelling | doaj.art-75ea5b2723b94a5ebe2ed6d8c11ed63e2022-12-21T23:50:53ZdeuNotograf PrimStudiul Artelor şi Culturologie: Istorie, Teorie, Practică2345-14082345-18312015-03-011(24)8593THE INSTRUMENTAL CONCERTO AS OBJECT OF SCIENTIFIC RESEARCHANDRIEŞ VLADIMIR0Academy of Music, Theatre and Fine ArtsThe instrumental concerto is one of the oldest genres of European instrumental music whose history began about three centuries ago and is continuing at present demonstrating an extraordinary variety of forms and diversity of variants of its treatment. Approaching the concerto genre the researchers try to establish the main features characteristic of this genre, to reveal its nature and to formulate a „pattern” or genetic canon of the concerto. In the article there is an analysis of the works of a lot of musicologists from different countries that are dedicated to the historical stylistic evolution of the concerto genre and to the study of the most relevant samples, from their origin (the 16th-17th centuries) up to the present time. In this context, of special interest are the studies signed by A. Veinus, M. Roeder, M. Steinberg, S. Keefe, I. Grebneva, E. Dolinscaia and other musicologists. The article was written on the basis of the materials of the doctoral thesis „Concerto for Viola and Orchestra: Methods of Study” worked out under the supervision of the late scientist and university professor Vladimir Axionov.http://revista.amtap.md/wp-content/files_mf/150979647914vandries_Concertulinstrumentalcaobiectalcercetariistiintifice.pdfinstrumental concertodialogueconcerto genreorchestrasoloist |
| spellingShingle | ANDRIEŞ VLADIMIR THE INSTRUMENTAL CONCERTO AS OBJECT OF SCIENTIFIC RESEARCH Studiul Artelor şi Culturologie: Istorie, Teorie, Practică instrumental concerto dialogue concerto genre orchestra soloist |
| title | THE INSTRUMENTAL CONCERTO AS OBJECT OF SCIENTIFIC RESEARCH |
| title_full | THE INSTRUMENTAL CONCERTO AS OBJECT OF SCIENTIFIC RESEARCH |
| title_fullStr | THE INSTRUMENTAL CONCERTO AS OBJECT OF SCIENTIFIC RESEARCH |
| title_full_unstemmed | THE INSTRUMENTAL CONCERTO AS OBJECT OF SCIENTIFIC RESEARCH |
| title_short | THE INSTRUMENTAL CONCERTO AS OBJECT OF SCIENTIFIC RESEARCH |
| title_sort | instrumental concerto as object of scientific research |
| topic | instrumental concerto dialogue concerto genre orchestra soloist |
| url | http://revista.amtap.md/wp-content/files_mf/150979647914vandries_Concertulinstrumentalcaobiectalcercetariistiintifice.pdf |
| work_keys_str_mv | AT andriesvladimir theinstrumentalconcertoasobjectofscientificresearch AT andriesvladimir instrumentalconcertoasobjectofscientificresearch |