Classical Concert Music and Queer Listening
The norms of the classical music concert, familiar from the twentieth century onward in European and United States contexts, favor an apparently uniform practice of attentive, silent listening, the audience seated in rows with a uniform visual focus. However, within this appearance of quiet conformi...
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| Format: | Article |
| Language: | English |
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Éditions de l'EHESS
2013-03-01
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| Series: | Transposition |
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| Online Access: | http://journals.openedition.org/transposition/148 |