Of Time and the City de Terence Davies. Nostalgie de la mémoire ouvrière et introspection sociologique à l’écran

Of Time and the City (2008) by the English filmmaker Terence Davies crosses archive footage, photographs and sequences shot in present, in order to reconstitute the working-class memory of Liverpool, from an autobiographical point of view. Based on the film, the article explores remembering modes wh...

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Bibliographic Details
Main Author: Sébastien Fevry
Format: Article
Language:English
Published: University of Bologna 2015-11-01
Series:Cinergie
Subjects:
Online Access:https://cinergie.unibo.it/article/view/6901
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author Sébastien Fevry
author_facet Sébastien Fevry
author_sort Sébastien Fevry
collection DOAJ
description Of Time and the City (2008) by the English filmmaker Terence Davies crosses archive footage, photographs and sequences shot in present, in order to reconstitute the working-class memory of Liverpool, from an autobiographical point of view. Based on the film, the article explores remembering modes which don’t fit into the usual frameworks of Memory Studies, whether it be the trauma paradigm or the patrimonial logic, and which express more a nostalgic feeling for the past. In the case of Of Time and the City, the nostalgic mood is linked to the social position of the filmmaker, which corresponds to the situation of ‘class defector’ described by Richard Hoggart and Didier Eribon. In consequence, the article examines how the social position of Davies appears in the film, through editing choices which lead to mix together high and low culture, intimate and collective history.
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spelling doaj.art-762e2147ca854aaba2a4f718bc2fba8c2022-12-22T03:01:04ZengUniversity of BolognaCinergie2280-94812015-11-0148122210.6092/issn.2280-9481/69016250Of Time and the City de Terence Davies. Nostalgie de la mémoire ouvrière et introspection sociologique à l’écranSébastien Fevry0Université Catholique de LouvainOf Time and the City (2008) by the English filmmaker Terence Davies crosses archive footage, photographs and sequences shot in present, in order to reconstitute the working-class memory of Liverpool, from an autobiographical point of view. Based on the film, the article explores remembering modes which don’t fit into the usual frameworks of Memory Studies, whether it be the trauma paradigm or the patrimonial logic, and which express more a nostalgic feeling for the past. In the case of Of Time and the City, the nostalgic mood is linked to the social position of the filmmaker, which corresponds to the situation of ‘class defector’ described by Richard Hoggart and Didier Eribon. In consequence, the article examines how the social position of Davies appears in the film, through editing choices which lead to mix together high and low culture, intimate and collective history.https://cinergie.unibo.it/article/view/6901Of Time and the CityTerence Daviesmemory studies
spellingShingle Sébastien Fevry
Of Time and the City de Terence Davies. Nostalgie de la mémoire ouvrière et introspection sociologique à l’écran
Cinergie
Of Time and the City
Terence Davies
memory studies
title Of Time and the City de Terence Davies. Nostalgie de la mémoire ouvrière et introspection sociologique à l’écran
title_full Of Time and the City de Terence Davies. Nostalgie de la mémoire ouvrière et introspection sociologique à l’écran
title_fullStr Of Time and the City de Terence Davies. Nostalgie de la mémoire ouvrière et introspection sociologique à l’écran
title_full_unstemmed Of Time and the City de Terence Davies. Nostalgie de la mémoire ouvrière et introspection sociologique à l’écran
title_short Of Time and the City de Terence Davies. Nostalgie de la mémoire ouvrière et introspection sociologique à l’écran
title_sort of time and the city de terence davies nostalgie de la memoire ouvriere et introspection sociologique a l ecran
topic Of Time and the City
Terence Davies
memory studies
url https://cinergie.unibo.it/article/view/6901
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