Agnès Varda à Los Angeles et l’hypothèse d’une forme cinématographique du vernaculaire
This article aims to address the hypothesis of a filmic form of the vernacular. Originating in John Brinckerhoff Jackson’s ideas on the vernacular landscape, such a hypothesis is based on an analysis of Agnès Varda’s Mur murs and Documenteur. Both shot in Los Angeles in 1980-1981, these two movies d...
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| Format: | Article |
| Language: | English |
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Université de Bourgogne
2020-12-01
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| Series: | Interfaces |
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| Online Access: | https://journals.openedition.org/interfaces/1697 |