Generation, Transformation and Place in Inga Iwasiów’s Novels Bambino (2008) and Ku słońcu (2010)

This chapter will discuss two novels by contemporary writer Inga Iwasiów (b. 1963), Bambino (2008) and Ku słońcu [Towards the Sun] (2010), in the context of geopolitical, ideological, social and psycho-cultural transformations as they specifically affect different generations of inhabitants of the P...

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Main Author: Ursula PHILLIPS
Format: Article
Language:deu
Published: Pedagogical University of Krakow 2012-06-01
Series:Argument
Online Access:http://argumentwp.vipserv.org/wp-content/uploads/2012/pdfv2n1/argument-3-02-Phillips.pdf
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author Ursula PHILLIPS
author_facet Ursula PHILLIPS
author_sort Ursula PHILLIPS
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description This chapter will discuss two novels by contemporary writer Inga Iwasiów (b. 1963), Bambino (2008) and Ku słońcu [Towards the Sun] (2010), in the context of geopolitical, ideological, social and psycho-cultural transformations as they specifically affect different generations of inhabitants of the Polish city of Szczecin (pre-1945 German Stettin) from 1945 until the first decade of the 21st century. Bambino covers the years 1945–1981, but also contains flashbacksto pre-war memory of Stettin and to the suppressed experiences of the new post-war inhabitants, as well as ‘flash-forwards’ to post-1989, post-communist reality; Ku słońcu covers 1981 to the first decade of 2000s. It will show how the novels portray these transformations through the experience primarily of women (but not only) — in Bambino, through the main protagonists: Ula (formerly Ulrike), Anna and Marysia, and through that of the hidden narrator Magda (Marysia’s daughter born in the same year as the author, Iwasiów, 1963); and in Ku słońcu, primarily through the experience of Magda herself, as well as through that of two generations of ‘feminist’ academics: Małgorzata and Sylwia (in which it is hard not to perceive the personal experience of the author, though she is at pains to emphasize elsewhere that her work is a collective biography of the city, not so much of herself). The analysis follows Katarzyna Chmielewska’s supposition that contemporary Polish fiction dealing with the past ‘constantly oscillates between memory and genealogy’, and that it raises raw issues not yet addressed by historians; it also derives inspiration from the new ‘postdependency’ studiesproposed by Hanna Gosk and Ryszard Nycz. It also attempts to capture the specific nature of Iwasiów’s use of language, her style of feminism, her method of portraying place, and the connections in her prose between place and memory.
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spelling doaj.art-7666ad991b9a4806b90c6fc01ebe4d962022-12-22T03:49:37ZdeuPedagogical University of KrakowArgument2083-66352084-10432012-06-01211736Generation, Transformation and Place in Inga Iwasiów’s Novels Bambino (2008) and Ku słońcu (2010)Ursula PHILLIPS 0University of LondonThis chapter will discuss two novels by contemporary writer Inga Iwasiów (b. 1963), Bambino (2008) and Ku słońcu [Towards the Sun] (2010), in the context of geopolitical, ideological, social and psycho-cultural transformations as they specifically affect different generations of inhabitants of the Polish city of Szczecin (pre-1945 German Stettin) from 1945 until the first decade of the 21st century. Bambino covers the years 1945–1981, but also contains flashbacksto pre-war memory of Stettin and to the suppressed experiences of the new post-war inhabitants, as well as ‘flash-forwards’ to post-1989, post-communist reality; Ku słońcu covers 1981 to the first decade of 2000s. It will show how the novels portray these transformations through the experience primarily of women (but not only) — in Bambino, through the main protagonists: Ula (formerly Ulrike), Anna and Marysia, and through that of the hidden narrator Magda (Marysia’s daughter born in the same year as the author, Iwasiów, 1963); and in Ku słońcu, primarily through the experience of Magda herself, as well as through that of two generations of ‘feminist’ academics: Małgorzata and Sylwia (in which it is hard not to perceive the personal experience of the author, though she is at pains to emphasize elsewhere that her work is a collective biography of the city, not so much of herself). The analysis follows Katarzyna Chmielewska’s supposition that contemporary Polish fiction dealing with the past ‘constantly oscillates between memory and genealogy’, and that it raises raw issues not yet addressed by historians; it also derives inspiration from the new ‘postdependency’ studiesproposed by Hanna Gosk and Ryszard Nycz. It also attempts to capture the specific nature of Iwasiów’s use of language, her style of feminism, her method of portraying place, and the connections in her prose between place and memory.http://argumentwp.vipserv.org/wp-content/uploads/2012/pdfv2n1/argument-3-02-Phillips.pdf
spellingShingle Ursula PHILLIPS
Generation, Transformation and Place in Inga Iwasiów’s Novels Bambino (2008) and Ku słońcu (2010)
Argument
title Generation, Transformation and Place in Inga Iwasiów’s Novels Bambino (2008) and Ku słońcu (2010)
title_full Generation, Transformation and Place in Inga Iwasiów’s Novels Bambino (2008) and Ku słońcu (2010)
title_fullStr Generation, Transformation and Place in Inga Iwasiów’s Novels Bambino (2008) and Ku słońcu (2010)
title_full_unstemmed Generation, Transformation and Place in Inga Iwasiów’s Novels Bambino (2008) and Ku słońcu (2010)
title_short Generation, Transformation and Place in Inga Iwasiów’s Novels Bambino (2008) and Ku słońcu (2010)
title_sort generation transformation and place in inga iwasiow s novels bambino 2008 and ku sloncu 2010
url http://argumentwp.vipserv.org/wp-content/uploads/2012/pdfv2n1/argument-3-02-Phillips.pdf
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