Music as a Component of Biographic Text
The role of music in the biography of a musician is analyzed. The focus is on the life of famous composers interpretation via their work and the role of music in structuring, aestheticization, additional semantization of biography. It is indicated that the artist stands out in the context of his tim...
| Main Author: | |
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| Format: | Article |
| Language: | Russian |
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Yuriy Fedkovych Chernivtsi National University
2014-11-01
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| Series: | Pitannâ Lìteraturoznavstva |
| Subjects: | |
| Online Access: | http://pytlit.chnu.edu.ua/article/view/73273 |
| _version_ | 1811267437171048448 |
|---|---|
| author | Svitlana Macenka |
| author_facet | Svitlana Macenka |
| author_sort | Svitlana Macenka |
| collection | DOAJ |
| description | The role of music in the biography of a musician is analyzed. The focus is on the life of famous composers interpretation via their work and the role of music in structuring, aestheticization, additional semantization of biography. It is indicated that the artist stands out in the context of his time as the center of productive gravity, thus a musician’s biography demonstrates communication of the life and creative ways, distinguishing its major milestones and at the same time emphasizing the individual changes of the artist and those his innovations that defined the image of the era. It goes about the semantization of music by an author-biographer, the desire to articulate the principles of an individual artist (also by reference to the listening to musical works), comprehended as his musical text, with its help. For example, the genre of musician biography is viewed as based on the corresponding biographies of W. A. Mozart, Ludwig van Beethoven and Richard Strauss. It is noted that W. A. Mozart is considered a catalyst for musical biographical writing, for certain events of his life were such that he started to be generally recognized as the prototype of the artist. Biographers of both Mozart and Beethoven are convinced of the efficiency of the biographical method in relation to musical analysis. Richard Strauss’s musical-biographical text is also structured according to the logic of musical thinking. A tendency towards correlation between life and work inherent in the biographies of musicians is also peculiar to the novel which tends to music. |
| first_indexed | 2024-04-12T21:02:35Z |
| format | Article |
| id | doaj.art-7672e7ecfbb940a68b4672f6adfa73cf |
| institution | Directory Open Access Journal |
| issn | 2306-2908 |
| language | Russian |
| last_indexed | 2024-04-12T21:02:35Z |
| publishDate | 2014-11-01 |
| publisher | Yuriy Fedkovych Chernivtsi National University |
| record_format | Article |
| series | Pitannâ Lìteraturoznavstva |
| spelling | doaj.art-7672e7ecfbb940a68b4672f6adfa73cf2022-12-22T03:16:49ZrusYuriy Fedkovych Chernivtsi National UniversityPitannâ Lìteraturoznavstva2306-29082014-11-01089294073273Music as a Component of Biographic TextSvitlana Macenka0Львівський національний університет імені Івана ФранкаThe role of music in the biography of a musician is analyzed. The focus is on the life of famous composers interpretation via their work and the role of music in structuring, aestheticization, additional semantization of biography. It is indicated that the artist stands out in the context of his time as the center of productive gravity, thus a musician’s biography demonstrates communication of the life and creative ways, distinguishing its major milestones and at the same time emphasizing the individual changes of the artist and those his innovations that defined the image of the era. It goes about the semantization of music by an author-biographer, the desire to articulate the principles of an individual artist (also by reference to the listening to musical works), comprehended as his musical text, with its help. For example, the genre of musician biography is viewed as based on the corresponding biographies of W. A. Mozart, Ludwig van Beethoven and Richard Strauss. It is noted that W. A. Mozart is considered a catalyst for musical biographical writing, for certain events of his life were such that he started to be generally recognized as the prototype of the artist. Biographers of both Mozart and Beethoven are convinced of the efficiency of the biographical method in relation to musical analysis. Richard Strauss’s musical-biographical text is also structured according to the logic of musical thinking. A tendency towards correlation between life and work inherent in the biographies of musicians is also peculiar to the novel which tends to music.http://pytlit.chnu.edu.ua/article/view/73273біографія музикантамузичний текстрозуміння музикибіографічність музикиВ. А. Моцарт, Л. ван БетговенР. Штраус |
| spellingShingle | Svitlana Macenka Music as a Component of Biographic Text Pitannâ Lìteraturoznavstva біографія музиканта музичний текст розуміння музики біографічність музики В. А. Моцарт, Л. ван Бетговен Р. Штраус |
| title | Music as a Component of Biographic Text |
| title_full | Music as a Component of Biographic Text |
| title_fullStr | Music as a Component of Biographic Text |
| title_full_unstemmed | Music as a Component of Biographic Text |
| title_short | Music as a Component of Biographic Text |
| title_sort | music as a component of biographic text |
| topic | біографія музиканта музичний текст розуміння музики біографічність музики В. А. Моцарт, Л. ван Бетговен Р. Штраус |
| url | http://pytlit.chnu.edu.ua/article/view/73273 |
| work_keys_str_mv | AT svitlanamacenka musicasacomponentofbiographictext |