‘Once you get the card you can do anything you want.’ Migrant Identities and Gender Transgression in Chicana Dramatic Literature
Abstract: Issues of migration, frontiers and identity are recurrent in Chicano/a literature. In Real Women Have Curves the protagonists are conditioned by la migra as much as by race stereotyping and gender limits, living in a metaphoric frontera between clandestine existence and public acknowledgem...
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| Format: | Article |
| Language: | English |
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Universidad de Almeria
2017-03-01
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| Series: | Odisea |
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| Online Access: | http://ojs.ual.es/ojs/index.php/ODISEA/article/view/178 |
| Summary: | Abstract: Issues of migration, frontiers and identity are recurrent in Chicano/a literature. In Real Women Have Curves the protagonists are conditioned by la migra as much as by race stereotyping and gender limits, living in a metaphoric frontera between clandestine existence and public acknowledgement; between curvy, dark-skinned beauty, and white, androgynous images of womanly perfection. The Hungry Woman is situated in a symbolic territory where Medea has been banished for being a lesbian. Both texts are constructed around ethnic and gender identities, and they both create worlds in which limits are broken and barriers transgressed with a clear Chicana feminist conscience.
Resumen: Temas como migración, fronteras e identidad proliferan en la literatura chicana. En Real Women Have Curves las protagonistas están condicionadas por “la migra”, estereotipos de raza y límites de género, viviendo en una “frontera” entre la clandestinidad y el reconocimiento; entre una belleza oscura con curvas e imágenes de perfección blancas y andróginas. The Hungry Woman se sitúa en una “tierra de nadie” a donde Medea es desterrada por lesbiana. Ambos textos crecen alrededor de la identidad étnica y de género,
y ambos crean mundos en los que se rompen barreras y se transgreden límites con una clara conciencia feminista. |
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| ISSN: | 1578-3820 2174-1611 |