Materializing the Invisible: Landscape Painting in Viceregal Peru as Visionary Painting

Landscape painting in Peru typically does not receive much attention from critical dis-course, even though the adoption of the Flemish landscape by Andean viceregal painters became a distinctive feature of Peruvian painting of the second half of the 17th century. Considered a consequence of a change...

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Main Author: Sebastian Ferrero
Format: Article
Language:English
Published: MDPI AG 2021-08-01
Series:Arts
Subjects:
Online Access:https://www.mdpi.com/2076-0752/10/3/57
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author Sebastian Ferrero
author_facet Sebastian Ferrero
author_sort Sebastian Ferrero
collection DOAJ
description Landscape painting in Peru typically does not receive much attention from critical dis-course, even though the adoption of the Flemish landscape by Andean viceregal painters became a distinctive feature of Peruvian painting of the second half of the 17th century. Considered a consequence of a change in the artistic taste of viceregal society, the landscape was perceived as a secondary element of the composition. In this article, we will analyze the inclusion of the Flemish landscape in Andean religious painting from another critical perspective that takes into account different spiritual processes that colonial religiosity goes through. We analyze how the influence of the Franciscan and Jesuit mysticism created a fertile ground where landscape painting could develop in Peru. The Andean viceregal painters found in the landscape an effective way to visualize suprasensible spiritual experiences and an important device for the development in Peru of a painting with visionary characteristics.
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spelling doaj.art-76cb2ad0cf644fe484f4c7849877e68f2023-11-22T11:58:26ZengMDPI AGArts2076-07522021-08-011035710.3390/arts10030057Materializing the Invisible: Landscape Painting in Viceregal Peru as Visionary PaintingSebastian Ferrero0Art History Department, Art and Sciences Faculty, Université de Montréal, Montreal, QC H3T 1N8, CanadaLandscape painting in Peru typically does not receive much attention from critical dis-course, even though the adoption of the Flemish landscape by Andean viceregal painters became a distinctive feature of Peruvian painting of the second half of the 17th century. Considered a consequence of a change in the artistic taste of viceregal society, the landscape was perceived as a secondary element of the composition. In this article, we will analyze the inclusion of the Flemish landscape in Andean religious painting from another critical perspective that takes into account different spiritual processes that colonial religiosity goes through. We analyze how the influence of the Franciscan and Jesuit mysticism created a fertile ground where landscape painting could develop in Peru. The Andean viceregal painters found in the landscape an effective way to visualize suprasensible spiritual experiences and an important device for the development in Peru of a painting with visionary characteristics.https://www.mdpi.com/2076-0752/10/3/57Peruvian viceregal paintingreligious paintinglandscapemysticism and contemplation
spellingShingle Sebastian Ferrero
Materializing the Invisible: Landscape Painting in Viceregal Peru as Visionary Painting
Arts
Peruvian viceregal painting
religious painting
landscape
mysticism and contemplation
title Materializing the Invisible: Landscape Painting in Viceregal Peru as Visionary Painting
title_full Materializing the Invisible: Landscape Painting in Viceregal Peru as Visionary Painting
title_fullStr Materializing the Invisible: Landscape Painting in Viceregal Peru as Visionary Painting
title_full_unstemmed Materializing the Invisible: Landscape Painting in Viceregal Peru as Visionary Painting
title_short Materializing the Invisible: Landscape Painting in Viceregal Peru as Visionary Painting
title_sort materializing the invisible landscape painting in viceregal peru as visionary painting
topic Peruvian viceregal painting
religious painting
landscape
mysticism and contemplation
url https://www.mdpi.com/2076-0752/10/3/57
work_keys_str_mv AT sebastianferrero materializingtheinvisiblelandscapepaintinginviceregalperuasvisionarypainting