Docklaboratoriet

Subversive femininity in Monika Fagerholm’s novel Diva Monika Fagerholm’s novel Diva (1998) is built on a playful web of intertextuality based on literature, film, music and real life stories. It discusses different ways of being a girl and how to write about girlhood. Using inventive language a...

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Main Author: Maria Margareta Österholm
Format: Article
Language:Danish
Published: Föreningen för utgivande av Tidskrift för litteraturvetenskap 2009-01-01
Series:Tidskrift för Litteraturvetenskap
Subjects:
Online Access:https://publicera.kb.se/tfl/article/view/12193
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author Maria Margareta Österholm
author_facet Maria Margareta Österholm
author_sort Maria Margareta Österholm
collection DOAJ
description Subversive femininity in Monika Fagerholm’s novel Diva Monika Fagerholm’s novel Diva (1998) is built on a playful web of intertextuality based on literature, film, music and real life stories. It discusses different ways of being a girl and how to write about girlhood. Using inventive language and storytelling of many sorts, Diva portrays a multitude of subversive femininities. This article tells the story of two of the characters in the book, the sisters SannaMaria and Kari, and how they gradually misinterpret and exaggerate concepts of girlhood to create a world of their own. In this imaginary world, the Doll laboratory as they call it, SannaMaria casts Kari in the role of an oracle destined to become a butterfly. I interpret the events in the laboratory as a means for them to experiment with and negotiate expectations of gender and talk about themselves in a different way. Unfortunately this is not a story with a happy end; Kari dies and then becomes a saint for the girls in the neighborhood. The novel uses her tragic demise to criticize and question a classical motif, the dead or dying beauty, in the same way as it investigates many other images of femininity.
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spelling doaj.art-7708043e3e584432a9bf89a6011e37542023-10-16T09:37:08ZdanFöreningen för utgivande av Tidskrift för litteraturvetenskapTidskrift för Litteraturvetenskap2001-094X2009-01-0139110.54797/tfl.v39i1.12193DocklaboratorietMaria Margareta Österholm Subversive femininity in Monika Fagerholm’s novel Diva Monika Fagerholm’s novel Diva (1998) is built on a playful web of intertextuality based on literature, film, music and real life stories. It discusses different ways of being a girl and how to write about girlhood. Using inventive language and storytelling of many sorts, Diva portrays a multitude of subversive femininities. This article tells the story of two of the characters in the book, the sisters SannaMaria and Kari, and how they gradually misinterpret and exaggerate concepts of girlhood to create a world of their own. In this imaginary world, the Doll laboratory as they call it, SannaMaria casts Kari in the role of an oracle destined to become a butterfly. I interpret the events in the laboratory as a means for them to experiment with and negotiate expectations of gender and talk about themselves in a different way. Unfortunately this is not a story with a happy end; Kari dies and then becomes a saint for the girls in the neighborhood. The novel uses her tragic demise to criticize and question a classical motif, the dead or dying beauty, in the same way as it investigates many other images of femininity. https://publicera.kb.se/tfl/article/view/12193Femininitygirlhoodqueerintertextuality
spellingShingle Maria Margareta Österholm
Docklaboratoriet
Tidskrift för Litteraturvetenskap
Femininity
girlhood
queer
intertextuality
title Docklaboratoriet
title_full Docklaboratoriet
title_fullStr Docklaboratoriet
title_full_unstemmed Docklaboratoriet
title_short Docklaboratoriet
title_sort docklaboratoriet
topic Femininity
girlhood
queer
intertextuality
url https://publicera.kb.se/tfl/article/view/12193
work_keys_str_mv AT mariamargaretaosterholm docklaboratoriet