ART FILM: SOCIO-IDEOLOGICAL APPROACHES
In the process of non-fiction cinema evolution art documentary asserted itself. It is a peculiar category of movies where on the basis of finished artworks (fine art, theatre, choreographic, popular art, etc.) a new artwork is created – that of cinema. However, in the multifunctional area of this ca...
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| Format: | Article |
| Language: | deu |
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Notograf Prim
2015-09-01
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| Series: | Studiul Artelor şi Culturologie: Istorie, Teorie, Practică |
| Subjects: | |
| Online Access: | http://revista.amtap.md/wp-content/files_mf/151117958716dolarescu_Filmuldocumentardearta_abordarisocioideologice.pdf |
| _version_ | 1818929089050836992 |
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| author | OLĂRESCU DUMITRU |
| author_facet | OLĂRESCU DUMITRU |
| author_sort | OLĂRESCU DUMITRU |
| collection | DOAJ |
| description | In the process of non-fiction cinema evolution art documentary asserted itself. It is a peculiar category of movies where on the basis of finished artworks (fine art, theatre, choreographic, popular art, etc.) a new artwork is created – that of cinema. However, in the multifunctional area of this category there appear a lot of important cinema works, as artistic values, in which artworks served as a pretext for ilmmakers to approach some of the most problematic social, moral and ideological issues of civilization, the less studied aspect in European ilm studies.
Our research is concentrated on some of these art films: Guernica, Statues Also Die (directed by Alain Resnais), The Disasters of War (directed by Jean Gremillon), The Murder of the Innocents (directed by Ion Bostan), The Black Square (directed by Iosif Pasternak). The same topic is addressed by the film directors Anatol Codru (I, Nicolae Costenco), Vlad Druc (Aria, Oh, Poor Turtle-Dove), Mircea Chistruga (Mihai Grecu. Across Colour). |
| first_indexed | 2024-12-20T03:39:15Z |
| format | Article |
| id | doaj.art-77317822ec4f41baa1d5dae197eb105e |
| institution | Directory Open Access Journal |
| issn | 2345-1408 2345-1831 |
| language | deu |
| last_indexed | 2024-12-20T03:39:15Z |
| publishDate | 2015-09-01 |
| publisher | Notograf Prim |
| record_format | Article |
| series | Studiul Artelor şi Culturologie: Istorie, Teorie, Practică |
| spelling | doaj.art-77317822ec4f41baa1d5dae197eb105e2022-12-21T19:54:47ZdeuNotograf PrimStudiul Artelor şi Culturologie: Istorie, Teorie, Practică2345-14082345-18312015-09-013(26)8593ART FILM: SOCIO-IDEOLOGICAL APPROACHESOLĂRESCU DUMITRU0Institute of Cultural Heritage, Republic of MoldovaIn the process of non-fiction cinema evolution art documentary asserted itself. It is a peculiar category of movies where on the basis of finished artworks (fine art, theatre, choreographic, popular art, etc.) a new artwork is created – that of cinema. However, in the multifunctional area of this category there appear a lot of important cinema works, as artistic values, in which artworks served as a pretext for ilmmakers to approach some of the most problematic social, moral and ideological issues of civilization, the less studied aspect in European ilm studies. Our research is concentrated on some of these art films: Guernica, Statues Also Die (directed by Alain Resnais), The Disasters of War (directed by Jean Gremillon), The Murder of the Innocents (directed by Ion Bostan), The Black Square (directed by Iosif Pasternak). The same topic is addressed by the film directors Anatol Codru (I, Nicolae Costenco), Vlad Druc (Aria, Oh, Poor Turtle-Dove), Mircea Chistruga (Mihai Grecu. Across Colour).http://revista.amtap.md/wp-content/files_mf/151117958716dolarescu_Filmuldocumentardearta_abordarisocioideologice.pdfart filmmultifunctionalityResnaisGremillonBostanPasternakCodruDrucChistruga |
| spellingShingle | OLĂRESCU DUMITRU ART FILM: SOCIO-IDEOLOGICAL APPROACHES Studiul Artelor şi Culturologie: Istorie, Teorie, Practică art film multifunctionality Resnais Gremillon Bostan Pasternak Codru Druc Chistruga |
| title | ART FILM: SOCIO-IDEOLOGICAL APPROACHES |
| title_full | ART FILM: SOCIO-IDEOLOGICAL APPROACHES |
| title_fullStr | ART FILM: SOCIO-IDEOLOGICAL APPROACHES |
| title_full_unstemmed | ART FILM: SOCIO-IDEOLOGICAL APPROACHES |
| title_short | ART FILM: SOCIO-IDEOLOGICAL APPROACHES |
| title_sort | art film socio ideological approaches |
| topic | art film multifunctionality Resnais Gremillon Bostan Pasternak Codru Druc Chistruga |
| url | http://revista.amtap.md/wp-content/files_mf/151117958716dolarescu_Filmuldocumentardearta_abordarisocioideologice.pdf |
| work_keys_str_mv | AT olarescudumitru artfilmsocioideologicalapproaches |