Two Ways of Looking at the Father: Sharon Olds’ The Father and Alison Bechdel’s Fun Home

This article explores a series of visual-textual devices used in the representation of father figures in the poetry collection The Father (Sharon Olds, 1992) and the graphic memoir Fun Home (Alison Bechdel, 2006). I argue that literature can contribute to undo the conflation of paternity and patria...

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Main Author: Sara Villamarín-Freire
Format: Article
Language:Catalan
Published: Asociación Cultural 452ºF; Universitat de Barcelona 2022-07-01
Series:452ºF
Subjects:
Online Access:https://revistes.ub.edu/index.php/452f/article/view/38344
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author Sara Villamarín-Freire
author_facet Sara Villamarín-Freire
author_sort Sara Villamarín-Freire
collection DOAJ
description This article explores a series of visual-textual devices used in the representation of father figures in the poetry collection The Father (Sharon Olds, 1992) and the graphic memoir Fun Home (Alison Bechdel, 2006). I argue that literature can contribute to undo the conflation of paternity and patriarchy by portraying fathers as complex, fallible, and above all real individuals, as opposed to the disembodied abstract principle that has been prevalent in Western cultures. I will contend that the subsuming qualities of the dominant fiction can be subverted via a series of formal mechanisms related to the visual field that seek to foster reader engagement. In doing so, both The Father and Fun Home provide alternatives to traditional representations of the father figure.
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spelling doaj.art-77af8be70d7240af8dcfbce5c0e8a06e2022-12-22T01:40:18ZcatAsociación Cultural 452ºF; Universitat de Barcelona452ºF2013-32942022-07-012710.1344/452f.2022.27.9Two Ways of Looking at the Father: Sharon Olds’ The Father and Alison Bechdel’s Fun HomeSara Villamarín-Freire0Universidade da Coruña This article explores a series of visual-textual devices used in the representation of father figures in the poetry collection The Father (Sharon Olds, 1992) and the graphic memoir Fun Home (Alison Bechdel, 2006). I argue that literature can contribute to undo the conflation of paternity and patriarchy by portraying fathers as complex, fallible, and above all real individuals, as opposed to the disembodied abstract principle that has been prevalent in Western cultures. I will contend that the subsuming qualities of the dominant fiction can be subverted via a series of formal mechanisms related to the visual field that seek to foster reader engagement. In doing so, both The Father and Fun Home provide alternatives to traditional representations of the father figure. https://revistes.ub.edu/index.php/452f/article/view/38344fatherhoodfather-daughter relationsgazehaptic visualityocularizationcomics
spellingShingle Sara Villamarín-Freire
Two Ways of Looking at the Father: Sharon Olds’ The Father and Alison Bechdel’s Fun Home
452ºF
fatherhood
father-daughter relations
gaze
haptic visuality
ocularization
comics
title Two Ways of Looking at the Father: Sharon Olds’ The Father and Alison Bechdel’s Fun Home
title_full Two Ways of Looking at the Father: Sharon Olds’ The Father and Alison Bechdel’s Fun Home
title_fullStr Two Ways of Looking at the Father: Sharon Olds’ The Father and Alison Bechdel’s Fun Home
title_full_unstemmed Two Ways of Looking at the Father: Sharon Olds’ The Father and Alison Bechdel’s Fun Home
title_short Two Ways of Looking at the Father: Sharon Olds’ The Father and Alison Bechdel’s Fun Home
title_sort two ways of looking at the father sharon olds the father and alison bechdel s fun home
topic fatherhood
father-daughter relations
gaze
haptic visuality
ocularization
comics
url https://revistes.ub.edu/index.php/452f/article/view/38344
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