STAGE DIRECTION COMMUNICATION IN DRAMATIC TEXTS
The issue approached in the article refers to the role and functions of stage direction (didascalia) as a way of structure and communication in the dramatic text. On the basis of Ion Druta’s artistic discourse, there is an emphasis on the role of the secondary text in comprehending the main one (the...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | deu |
| Published: |
Notograf Prim
2015-03-01
|
| Series: | Studiul Artelor şi Culturologie: Istorie, Teorie, Practică |
| Subjects: | |
| Online Access: | http://revista.amtap.md/wp-content/files_mf/150980529823aghilas_Comunicareadidascalicaintextuldramaturgic.pdf |
| _version_ | 1811233793023934464 |
|---|---|
| author | GHILAŞ ANA |
| author_facet | GHILAŞ ANA |
| author_sort | GHILAŞ ANA |
| collection | DOAJ |
| description | The issue approached in the article refers to the role and functions of stage direction (didascalia) as a way of structure and communication in the dramatic text. On the basis of Ion Druta’s artistic discourse, there is an emphasis on the role of the secondary text in comprehending the main one (the dialogues and monologues of the characters). In addition, the author shows the attitude of the creative/authorial ego towards the characters’ actions, as well as the art of building the stage direction text in order to communicate the artistic message more profoundly, but also to extend the horizon of the receiver’s expectations. |
| first_indexed | 2024-04-12T11:26:35Z |
| format | Article |
| id | doaj.art-77d89660e22f4e3ea4ff3874a156705f |
| institution | Directory Open Access Journal |
| issn | 2345-1408 2345-1831 |
| language | deu |
| last_indexed | 2024-04-12T11:26:35Z |
| publishDate | 2015-03-01 |
| publisher | Notograf Prim |
| record_format | Article |
| series | Studiul Artelor şi Culturologie: Istorie, Teorie, Practică |
| spelling | doaj.art-77d89660e22f4e3ea4ff3874a156705f2022-12-22T03:35:13ZdeuNotograf PrimStudiul Artelor şi Culturologie: Istorie, Teorie, Practică2345-14082345-18312015-03-011(24)148154STAGE DIRECTION COMMUNICATION IN DRAMATIC TEXTSGHILAŞ ANA0Institute of Cultural Heritage, Republic of MoldovaThe issue approached in the article refers to the role and functions of stage direction (didascalia) as a way of structure and communication in the dramatic text. On the basis of Ion Druta’s artistic discourse, there is an emphasis on the role of the secondary text in comprehending the main one (the dialogues and monologues of the characters). In addition, the author shows the attitude of the creative/authorial ego towards the characters’ actions, as well as the art of building the stage direction text in order to communicate the artistic message more profoundly, but also to extend the horizon of the receiver’s expectations.http://revista.amtap.md/wp-content/files_mf/150980529823aghilas_Comunicareadidascalicaintextuldramaturgic.pdfcommunicationdramatic textstructurestage directioncreative/authorial egoIon Druta |
| spellingShingle | GHILAŞ ANA STAGE DIRECTION COMMUNICATION IN DRAMATIC TEXTS Studiul Artelor şi Culturologie: Istorie, Teorie, Practică communication dramatic text structure stage direction creative/authorial ego Ion Druta |
| title | STAGE DIRECTION COMMUNICATION IN DRAMATIC TEXTS |
| title_full | STAGE DIRECTION COMMUNICATION IN DRAMATIC TEXTS |
| title_fullStr | STAGE DIRECTION COMMUNICATION IN DRAMATIC TEXTS |
| title_full_unstemmed | STAGE DIRECTION COMMUNICATION IN DRAMATIC TEXTS |
| title_short | STAGE DIRECTION COMMUNICATION IN DRAMATIC TEXTS |
| title_sort | stage direction communication in dramatic texts |
| topic | communication dramatic text structure stage direction creative/authorial ego Ion Druta |
| url | http://revista.amtap.md/wp-content/files_mf/150980529823aghilas_Comunicareadidascalicaintextuldramaturgic.pdf |
| work_keys_str_mv | AT ghilasana stagedirectioncommunicationindramatictexts |