Aesthetics of Indian Feminist Theatre

This study addresses a number of Indian feminist plays (both by men and women) that were written and performed in the last century and early years in this century. The paper focus specifically on Indian theatre because of its long established theatre tradition that goes back to 1st century B.C. Iron...

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Main Author: Anita Singh
Format: Article
Language:English
Published: AesthetixMS: Aesthetics Media Services 2009-10-01
Series:Rupkatha Journal on Interdisciplinary Studies in Humanities
Subjects:
Online Access:http://www.rupkatha.com/0102indianfeministtheatreaesthetics.pdf
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author Anita Singh
author_facet Anita Singh
author_sort Anita Singh
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description This study addresses a number of Indian feminist plays (both by men and women) that were written and performed in the last century and early years in this century. The paper focus specifically on Indian theatre because of its long established theatre tradition that goes back to 1st century B.C. Ironically in such a country there were hardly any women dramatist to speak of before 19th century. At the core, the belief of a Feminist theatre is in the efficacy of theatre as a tool for conscientization, for critiquing social disparities and for self exploration and expression. Feminist theatre is a source of empowerment; it enables women to speak out. It is at the intersection of art, activism and social relevance and sees theatre as an instrument of real change in women’s lives. It is an exploration of women’s own unique idiom, their own form, their language and ways of communication. It is a challenge to the established notions of theatre.
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spelling doaj.art-781d020ccfdf42bcb8998ddd0275d33f2022-12-22T02:04:08ZengAesthetixMS: Aesthetics Media ServicesRupkatha Journal on Interdisciplinary Studies in Humanities0975-29352009-10-0112150170Aesthetics of Indian Feminist TheatreAnita SinghThis study addresses a number of Indian feminist plays (both by men and women) that were written and performed in the last century and early years in this century. The paper focus specifically on Indian theatre because of its long established theatre tradition that goes back to 1st century B.C. Ironically in such a country there were hardly any women dramatist to speak of before 19th century. At the core, the belief of a Feminist theatre is in the efficacy of theatre as a tool for conscientization, for critiquing social disparities and for self exploration and expression. Feminist theatre is a source of empowerment; it enables women to speak out. It is at the intersection of art, activism and social relevance and sees theatre as an instrument of real change in women’s lives. It is an exploration of women’s own unique idiom, their own form, their language and ways of communication. It is a challenge to the established notions of theatre.http://www.rupkatha.com/0102indianfeministtheatreaesthetics.pdffeministIndiantheatre
spellingShingle Anita Singh
Aesthetics of Indian Feminist Theatre
Rupkatha Journal on Interdisciplinary Studies in Humanities
feminist
Indian
theatre
title Aesthetics of Indian Feminist Theatre
title_full Aesthetics of Indian Feminist Theatre
title_fullStr Aesthetics of Indian Feminist Theatre
title_full_unstemmed Aesthetics of Indian Feminist Theatre
title_short Aesthetics of Indian Feminist Theatre
title_sort aesthetics of indian feminist theatre
topic feminist
Indian
theatre
url http://www.rupkatha.com/0102indianfeministtheatreaesthetics.pdf
work_keys_str_mv AT anitasingh aestheticsofindianfeministtheatre