‘Art historians and their textual behaviour’. Review of: Sam Rose: Interpreting Art, London: UCL Press, 2022

Sam Rose’s book analyses techniques that art historians and art critics use when they write about artworks. These techniques concentrate on five ‘features’ of art-theoretical analysis: authors, contexts, reception, complexity and depth. The analysis that Rose presents is based on an exceptionally ex...

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Bibliographic Details
Main Author: Branko Mitrović
Format: Article
Language:English
Published: Department of Art History, University of Birmingham 2022-12-01
Series:Journal of Art Historiography
Subjects:
Online Access:https://arthistoriography.files.wordpress.com/2022/10/mitrovic-rev.pdf
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author Branko Mitrović
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description Sam Rose’s book analyses techniques that art historians and art critics use when they write about artworks. These techniques concentrate on five ‘features’ of art-theoretical analysis: authors, contexts, reception, complexity and depth. The analysis that Rose presents is based on an exceptionally extensive survey of art historical literature. At the same time, the book leaves it unclear whether these ‘features’ serve the purpose of acquiring and conveying knowledge about artworks or should we assume that they are merely constitutive of art-historical writing without contributing to art historical knowledge or its transmission.
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spelling doaj.art-782c685d20294871bfa0f2d8487f20cd2023-01-10T14:34:54ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522022-12-012727BM110.48352/uobxjah.00004184‘Art historians and their textual behaviour’. Review of: Sam Rose: Interpreting Art, London: UCL Press, 2022Branko Mitrović0Norwegian University of Science and TechnologySam Rose’s book analyses techniques that art historians and art critics use when they write about artworks. These techniques concentrate on five ‘features’ of art-theoretical analysis: authors, contexts, reception, complexity and depth. The analysis that Rose presents is based on an exceptionally extensive survey of art historical literature. At the same time, the book leaves it unclear whether these ‘features’ serve the purpose of acquiring and conveying knowledge about artworks or should we assume that they are merely constitutive of art-historical writing without contributing to art historical knowledge or its transmission.https://arthistoriography.files.wordpress.com/2022/10/mitrovic-rev.pdfsam roseart history writingartists as authorscontexts of artworksreception of artworkscomplexity in art history writingdepth in art history writing
spellingShingle Branko Mitrović
‘Art historians and their textual behaviour’. Review of: Sam Rose: Interpreting Art, London: UCL Press, 2022
Journal of Art Historiography
sam rose
art history writing
artists as authors
contexts of artworks
reception of artworks
complexity in art history writing
depth in art history writing
title ‘Art historians and their textual behaviour’. Review of: Sam Rose: Interpreting Art, London: UCL Press, 2022
title_full ‘Art historians and their textual behaviour’. Review of: Sam Rose: Interpreting Art, London: UCL Press, 2022
title_fullStr ‘Art historians and their textual behaviour’. Review of: Sam Rose: Interpreting Art, London: UCL Press, 2022
title_full_unstemmed ‘Art historians and their textual behaviour’. Review of: Sam Rose: Interpreting Art, London: UCL Press, 2022
title_short ‘Art historians and their textual behaviour’. Review of: Sam Rose: Interpreting Art, London: UCL Press, 2022
title_sort art historians and their textual behaviour review of sam rose interpreting art london ucl press 2022
topic sam rose
art history writing
artists as authors
contexts of artworks
reception of artworks
complexity in art history writing
depth in art history writing
url https://arthistoriography.files.wordpress.com/2022/10/mitrovic-rev.pdf
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