Experiencing Alba Tressina’s Anima mea liquefacta est through Bodily Humors and the Sacred Erotic
In this article, I situate Tressina’s Anima mea liquefacta est (1622) at the nexus of Renaissance and Early Modern intellectual and religious frameworks. I demonstrate the ways in which it connects with the sacred erotic, a major component of European religious thought in the seventeenth century, an...
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| Format: | Article |
| Language: | English |
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Columbia University Libraries
2013-09-01
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| Series: | Current Musicology |
| Online Access: | https://journals.library.columbia.edu/index.php/currentmusicology/article/view/5313 |