Animating Poetry: Whose line is It anyway? Creation & critique of shared language in poetry animation

This paper provides a detailed analysis of an example of personal practice in the creation of collaborative contemporary poetry animation as an example of Ecstatic Truth. It cites a rationale for translation, transcription and remodeling of poems into new animated visual and sonic experiences. Thi...

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Bibliographic Details
Main Author: Susan Hanna
Format: Article
Language:English
Published: Lusófona University 2019-12-01
Series:International Journal of Film and Media Arts
Subjects:
Online Access:https://revistas.ulusofona.pt/index.php/ijfma/article/view/7044
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author Susan Hanna
author_facet Susan Hanna
author_sort Susan Hanna
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description This paper provides a detailed analysis of an example of personal practice in the creation of collaborative contemporary poetry animation as an example of Ecstatic Truth. It cites a rationale for translation, transcription and remodeling of poems into new animated visual and sonic experiences. This investigation into creation and critique of shared language between poetry and animation includes critical commentary and some historical context, as well as supplying comparative exemplars from poets, animators and collaborators. It suggests that poetry animation is an emergent genre in its own right, and that this has expanding potential for engaging specialist and non-specialist audiences.
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spelling doaj.art-788f6a7a6e2c4b3ca0a6c449eec584fd2022-12-22T02:15:13ZengLusófona UniversityInternational Journal of Film and Media Arts2183-92712019-12-014282310.24140/ijfma.v4.n2.01Animating Poetry: Whose line is It anyway? Creation & critique of shared language in poetry animationSusan Hanna0Norwich University of the Arts (UK)This paper provides a detailed analysis of an example of personal practice in the creation of collaborative contemporary poetry animation as an example of Ecstatic Truth. It cites a rationale for translation, transcription and remodeling of poems into new animated visual and sonic experiences. This investigation into creation and critique of shared language between poetry and animation includes critical commentary and some historical context, as well as supplying comparative exemplars from poets, animators and collaborators. It suggests that poetry animation is an emergent genre in its own right, and that this has expanding potential for engaging specialist and non-specialist audiences.https://revistas.ulusofona.pt/index.php/ijfma/article/view/7044poetry-animationanimatoranimationpoetic-languageimage-textsound scape
spellingShingle Susan Hanna
Animating Poetry: Whose line is It anyway? Creation & critique of shared language in poetry animation
International Journal of Film and Media Arts
poetry-animation
animator
animation
poetic-language
image-text
sound scape
title Animating Poetry: Whose line is It anyway? Creation & critique of shared language in poetry animation
title_full Animating Poetry: Whose line is It anyway? Creation & critique of shared language in poetry animation
title_fullStr Animating Poetry: Whose line is It anyway? Creation & critique of shared language in poetry animation
title_full_unstemmed Animating Poetry: Whose line is It anyway? Creation & critique of shared language in poetry animation
title_short Animating Poetry: Whose line is It anyway? Creation & critique of shared language in poetry animation
title_sort animating poetry whose line is it anyway creation critique of shared language in poetry animation
topic poetry-animation
animator
animation
poetic-language
image-text
sound scape
url https://revistas.ulusofona.pt/index.php/ijfma/article/view/7044
work_keys_str_mv AT susanhanna animatingpoetrywhoselineisitanywaycreationcritiqueofsharedlanguageinpoetryanimation