Walter Benjamin, la crítica a la modernidad: el arte de la desconfianza

This text explores Walter Benjamin’s critique to modernity from his work on the poverty of experience and on the revolutionary possibilities he found on some artist practices. This research proposes to interpret Benjamin’s approach to Baudelaire, surrealism and kitsch as a politicization of aestheti...

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Main Author: Helena Chávez Mac Gregor
Format: Article
Language:Spanish
Published: Universidad Nacional Autónoma de México (UNAM) 2015-12-01
Series:Theoría Revista del Colegio de Filosofía
Subjects:
Online Access:http://revistas.filos.unam.mx/index.php/theoria/article/view/462
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author Helena Chávez Mac Gregor
author_facet Helena Chávez Mac Gregor
author_sort Helena Chávez Mac Gregor
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description This text explores Walter Benjamin’s critique to modernity from his work on the poverty of experience and on the revolutionary possibilities he found on some artist practices. This research proposes to interpret Benjamin’s approach to Baudelaire, surrealism and kitsch as a politicization of aesthetics that allows a rupture with modern subject. Here, the Copernican turn, as the author asserts, is to awake from the mythic forces of the prehistory to unchain temporality from progress. The aim of the critique of modernity is to open the critical possibilities of history. There is in Benjamin’s an art of mistrust that is at the same time emancipatory and revolutionary.
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spelling doaj.art-798ea77e19124f9185fd721f1c06ae9a2023-02-02T13:17:54ZspaUniversidad Nacional Autónoma de México (UNAM)Theoría Revista del Colegio de Filosofía1665-64152015-12-012910.22201/ffyl.16656415p.2015.29.462Walter Benjamin, la crítica a la modernidad: el arte de la desconfianzaHelena Chávez Mac GregorThis text explores Walter Benjamin’s critique to modernity from his work on the poverty of experience and on the revolutionary possibilities he found on some artist practices. This research proposes to interpret Benjamin’s approach to Baudelaire, surrealism and kitsch as a politicization of aesthetics that allows a rupture with modern subject. Here, the Copernican turn, as the author asserts, is to awake from the mythic forces of the prehistory to unchain temporality from progress. The aim of the critique of modernity is to open the critical possibilities of history. There is in Benjamin’s an art of mistrust that is at the same time emancipatory and revolutionary.http://revistas.filos.unam.mx/index.php/theoria/article/view/462ExperienciaImagen oníricaCrítica de la modernidadPolítica poética del capitalismoCapitalismoOnírico
spellingShingle Helena Chávez Mac Gregor
Walter Benjamin, la crítica a la modernidad: el arte de la desconfianza
Theoría Revista del Colegio de Filosofía
Experiencia
Imagen onírica
Crítica de la modernidad
Política poética del capitalismo
Capitalismo
Onírico
title Walter Benjamin, la crítica a la modernidad: el arte de la desconfianza
title_full Walter Benjamin, la crítica a la modernidad: el arte de la desconfianza
title_fullStr Walter Benjamin, la crítica a la modernidad: el arte de la desconfianza
title_full_unstemmed Walter Benjamin, la crítica a la modernidad: el arte de la desconfianza
title_short Walter Benjamin, la crítica a la modernidad: el arte de la desconfianza
title_sort walter benjamin la critica a la modernidad el arte de la desconfianza
topic Experiencia
Imagen onírica
Crítica de la modernidad
Política poética del capitalismo
Capitalismo
Onírico
url http://revistas.filos.unam.mx/index.php/theoria/article/view/462
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