El Cid en los medios: apropiación de la figura cidiana en los lenguajes de los siglos XX y XXI

Throughout the first decade of the 21st century, as well as in the past century, there were many artists who created their cultural products based on the figure of the literary and historic character known as the Cid Campeador. Punctually, this paper will discuss three texts: the book "Poem of...

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Main Author: Dietris Aguilar
Format: Article
Language:English
Published: Universidad Nacional de La Plata 2014-12-01
Series:Olivar: Revista de Literatura y Cultura Españolas
Subjects:
Online Access:http://www.olivar.fahce.unlp.edu.ar/article/view/5994
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author Dietris Aguilar
author_facet Dietris Aguilar
author_sort Dietris Aguilar
collection DOAJ
description Throughout the first decade of the 21st century, as well as in the past century, there were many artists who created their cultural products based on the figure of the literary and historic character known as the Cid Campeador. Punctually, this paper will discuss three texts: the book "Poem of the ciD canpeadoR synthetically abbreviated for all", by Oski and César Bruto (1957), the film "The Cid" by Anthony Mann (1962) and the animation film "The Cid, the legend" (2004) by José Pozo. This study aims to analize the conditions of production, the aesthetic intention of the creators and its reception in the social and cultural context in which each of these texts appeared in the media, whether in the press or in the cinema
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spelling doaj.art-799f416d961b4df48972a4fab979a93d2022-12-21T22:48:01ZengUniversidad Nacional de La PlataOlivar: Revista de Literatura y Cultura Españolas1515-11151852-44782014-12-0115225356El Cid en los medios: apropiación de la figura cidiana en los lenguajes de los siglos XX y XXIDietris Aguilar0Universidad Nacional de Lomas de ZamoraThroughout the first decade of the 21st century, as well as in the past century, there were many artists who created their cultural products based on the figure of the literary and historic character known as the Cid Campeador. Punctually, this paper will discuss three texts: the book "Poem of the ciD canpeadoR synthetically abbreviated for all", by Oski and César Bruto (1957), the film "The Cid" by Anthony Mann (1962) and the animation film "The Cid, the legend" (2004) by José Pozo. This study aims to analize the conditions of production, the aesthetic intention of the creators and its reception in the social and cultural context in which each of these texts appeared in the media, whether in the press or in the cinemahttp://www.olivar.fahce.unlp.edu.ar/article/view/5994Cid CampeadorHistorietaCineCine de animación
spellingShingle Dietris Aguilar
El Cid en los medios: apropiación de la figura cidiana en los lenguajes de los siglos XX y XXI
Olivar: Revista de Literatura y Cultura Españolas
Cid Campeador
Historieta
Cine
Cine de animación
title El Cid en los medios: apropiación de la figura cidiana en los lenguajes de los siglos XX y XXI
title_full El Cid en los medios: apropiación de la figura cidiana en los lenguajes de los siglos XX y XXI
title_fullStr El Cid en los medios: apropiación de la figura cidiana en los lenguajes de los siglos XX y XXI
title_full_unstemmed El Cid en los medios: apropiación de la figura cidiana en los lenguajes de los siglos XX y XXI
title_short El Cid en los medios: apropiación de la figura cidiana en los lenguajes de los siglos XX y XXI
title_sort el cid en los medios apropiacion de la figura cidiana en los lenguajes de los siglos xx y xxi
topic Cid Campeador
Historieta
Cine
Cine de animación
url http://www.olivar.fahce.unlp.edu.ar/article/view/5994
work_keys_str_mv AT dietrisaguilar elcidenlosmediosapropiaciondelafiguracidianaenloslenguajesdelossiglosxxyxxi