Sound design as narrative device in contemporary film: Subliminal soundscape of war and terror in Sicario (2015)
The article provides an attempt to analyze selected characteristics of contemporary cinematic sound on the basis of the sound design in Sicario (2015, dir. Denis Villeneuve), which encompasses a digitally-processed orchestral score with originally texturized sound effects. I elaborate on the feature...
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| Format: | Article |
| Language: | English |
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Faculty of Philology, University of Bialystok
2019-09-01
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| Series: | Crossroads |
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| Online Access: | https://czasopisma.filologia.uwb.edu.pl/index.php/c/article/view/560 |