«De Zavatarijs hanc ornavere capellam»

The fresco cycle narrating Stories from the Life of Queen Theodelinda, dated and signed with the elegant epigraph in Latin hexameters in the chapel of the same name in the cathedral at Monza – the ancient chapel of San Vincenzo – has, together with the painted vaulted ceiling of the chapel, under...

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Main Authors: Delmoro, Roberta, Lucchini, Anna
Format: Article
Language:English
Published: Fondazione Università Ca’ Foscari 2017-12-01
Series:Venezia Arti
Subjects:
Online Access:http://doi.org/10.14277/2385-2720/VA-26-17-5
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author Delmoro, Roberta
Lucchini, Anna
author_facet Delmoro, Roberta
Lucchini, Anna
author_sort Delmoro, Roberta
collection DOAJ
description The fresco cycle narrating Stories from the Life of Queen Theodelinda, dated and signed with the elegant epigraph in Latin hexameters in the chapel of the same name in the cathedral at Monza – the ancient chapel of San Vincenzo – has, together with the painted vaulted ceiling of the chapel, undergone a major restoration, begun in May 2009 and terminated in December 2014. In the light of the information and details that emerged as the work proceeded, it is possible today to take up once more, with the data in hand, the vexata quaestio of the chronology of the 45 scenes composing the cycle and following one another along the five painted registers of the chapel, clarifying the role of the inscription made by the Zavattari on the fourth and last but one pictorial register in relation to the only commissioning document discovered so far, dated 10 March 1445.
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spelling doaj.art-79fcb7808f5e442c99999b0d5a9ea5842023-10-30T08:17:14ZengFondazione Università Ca’ FoscariVenezia Arti2385-27202017-12-0126110.14277/2385-2720/VA-26-17-5journal_article_1067«De Zavatarijs hanc ornavere capellam»Delmoro, RobertaLucchini, Anna0Restauratrice The fresco cycle narrating Stories from the Life of Queen Theodelinda, dated and signed with the elegant epigraph in Latin hexameters in the chapel of the same name in the cathedral at Monza – the ancient chapel of San Vincenzo – has, together with the painted vaulted ceiling of the chapel, undergone a major restoration, begun in May 2009 and terminated in December 2014. In the light of the information and details that emerged as the work proceeded, it is possible today to take up once more, with the data in hand, the vexata quaestio of the chronology of the 45 scenes composing the cycle and following one another along the five painted registers of the chapel, clarifying the role of the inscription made by the Zavattari on the fourth and last but one pictorial register in relation to the only commissioning document discovered so far, dated 10 March 1445. http://doi.org/10.14277/2385-2720/VA-26-17-5Cathedral at Monza. Inscription. Signature. Stories of Theodelinda. Zavattari
spellingShingle Delmoro, Roberta
Lucchini, Anna
«De Zavatarijs hanc ornavere capellam»
Venezia Arti
Cathedral at Monza. Inscription. Signature. Stories of Theodelinda. Zavattari
title «De Zavatarijs hanc ornavere capellam»
title_full «De Zavatarijs hanc ornavere capellam»
title_fullStr «De Zavatarijs hanc ornavere capellam»
title_full_unstemmed «De Zavatarijs hanc ornavere capellam»
title_short «De Zavatarijs hanc ornavere capellam»
title_sort de zavatarijs hanc ornavere capellam
topic Cathedral at Monza. Inscription. Signature. Stories of Theodelinda. Zavattari
url http://doi.org/10.14277/2385-2720/VA-26-17-5
work_keys_str_mv AT delmororoberta dezavatarijshancornaverecapellam
AT lucchinianna dezavatarijshancornaverecapellam