The Ballet of the Nations: A film by Impermanence

A film inspired by the pacifist satire, The Ballet of the Nations, written by Vernon Lee in 1915 and illustrated by Maxwell Armfield as a response to the outbreak of war. Impermanence’s film incorporates original dialogue inspired by Lee’s text, among intricate and stylised dance pieces, with produc...

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Main Authors: Roseanna Anderson, Joshua Ben-Tovim
Format: Article
Language:English
Published: Yale University 2019-03-01
Series:British Art Studies
Subjects:
Online Access:http://britishartstudies.ac.uk/issues/issue-index/issue-11/ballet-of-the-nations
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author Roseanna Anderson
Joshua Ben-Tovim
author_facet Roseanna Anderson
Joshua Ben-Tovim
author_sort Roseanna Anderson
collection DOAJ
description A film inspired by the pacifist satire, The Ballet of the Nations, written by Vernon Lee in 1915 and illustrated by Maxwell Armfield as a response to the outbreak of war. Impermanence’s film incorporates original dialogue inspired by Lee’s text, among intricate and stylised dance pieces, with production design by Pam Tait, an original soundtrack by composer Robert Bentall and cinematography by Jack Offord. The original publication was rooted in a culture of experimental performance that developed in Britain during the war, against the grain of mainstream theatre and often in sympathy with the wartime peace movement. Impermanence’s production reanimates that world of movement, sound and design, using the evidence of archives, art works, footage, photographs and illustrated books to develop a richly-textured evocation of the wartime artistic response.
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spelling doaj.art-7a034ce820ef403c86f0d8c64a822dc82022-12-22T03:34:00ZengYale UniversityBritish Art Studies2058-54622019-03-011110.17658/issn.2058-5462/issue-11/botnThe Ballet of the Nations: A film by ImpermanenceRoseanna Anderson0Joshua Ben-Tovim1ImpermanenceImpermanenceA film inspired by the pacifist satire, The Ballet of the Nations, written by Vernon Lee in 1915 and illustrated by Maxwell Armfield as a response to the outbreak of war. Impermanence’s film incorporates original dialogue inspired by Lee’s text, among intricate and stylised dance pieces, with production design by Pam Tait, an original soundtrack by composer Robert Bentall and cinematography by Jack Offord. The original publication was rooted in a culture of experimental performance that developed in Britain during the war, against the grain of mainstream theatre and often in sympathy with the wartime peace movement. Impermanence’s production reanimates that world of movement, sound and design, using the evidence of archives, art works, footage, photographs and illustrated books to develop a richly-textured evocation of the wartime artistic response.http://britishartstudies.ac.uk/issues/issue-index/issue-11/ballet-of-the-nationsthe ballet of the nationsdancechoreographyartists' filmsvernon leemaxwell armfield
spellingShingle Roseanna Anderson
Joshua Ben-Tovim
The Ballet of the Nations: A film by Impermanence
British Art Studies
the ballet of the nations
dance
choreography
artists' films
vernon lee
maxwell armfield
title The Ballet of the Nations: A film by Impermanence
title_full The Ballet of the Nations: A film by Impermanence
title_fullStr The Ballet of the Nations: A film by Impermanence
title_full_unstemmed The Ballet of the Nations: A film by Impermanence
title_short The Ballet of the Nations: A film by Impermanence
title_sort ballet of the nations a film by impermanence
topic the ballet of the nations
dance
choreography
artists' films
vernon lee
maxwell armfield
url http://britishartstudies.ac.uk/issues/issue-index/issue-11/ballet-of-the-nations
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