Art and money: Three aesthetic strategies in an age of financialisation
Recent decades of financialisation have seen a significant growth in art that mobilises various forms of money as artistic media. These range from the integration of material money (coins, bills, credit cards) into aesthetic processes, such as sculpture, painting, performance, and so on, to a preocc...
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Format: | Article |
Language: | English |
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Cambridge University Press
2015-01-01
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Series: | Finance and Society |
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Online Access: | https://www.cambridge.org/core/product/identifier/S2059599900000054/type/journal_article |
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author | Max Haiven |
author_facet | Max Haiven |
author_sort | Max Haiven |
collection | DOAJ |
description | Recent decades of financialisation have seen a significant growth in art that mobilises various forms of money as artistic media. These range from the integration of material money (coins, bills, credit cards) into aesthetic processes, such as sculpture, painting, performance, and so on, to a preoccupation with more ephemeral thematics including debt, economics, and the dynamics of the art market. This article explores three (and a half) strategies that artists use to engage with money: crass opportunism; a stark revelation of money's power; a coy play with art's subjugation to money; and a more profound attempt to reveal the shared labour at the heart of both money and art's aesthetic-political power. Money's perennial appeal to artists stems from the irony of its tantalising capacity to almost represent capitalist totality. At their core, both money and art are animated by a certain creative labour, a suspension of disbelief, and a politics of representation. Artistic practices that use money can provide critical resources for studying, understanding, and seeing beyond the rule of speculative capital. |
first_indexed | 2024-04-24T22:11:31Z |
format | Article |
id | doaj.art-7a4b6a487011415c98ef0f896eb39a22 |
institution | Directory Open Access Journal |
issn | 2059-5999 |
language | English |
last_indexed | 2024-04-24T22:11:31Z |
publishDate | 2015-01-01 |
publisher | Cambridge University Press |
record_format | Article |
series | Finance and Society |
spelling | doaj.art-7a4b6a487011415c98ef0f896eb39a222024-03-20T08:20:15ZengCambridge University PressFinance and Society2059-59992015-01-011386010.2218/finsoc.v1i1.1370Art and money: Three aesthetic strategies in an age of financialisationMax Haiven0Nova Scotia College of Art and Design, CanadaRecent decades of financialisation have seen a significant growth in art that mobilises various forms of money as artistic media. These range from the integration of material money (coins, bills, credit cards) into aesthetic processes, such as sculpture, painting, performance, and so on, to a preoccupation with more ephemeral thematics including debt, economics, and the dynamics of the art market. This article explores three (and a half) strategies that artists use to engage with money: crass opportunism; a stark revelation of money's power; a coy play with art's subjugation to money; and a more profound attempt to reveal the shared labour at the heart of both money and art's aesthetic-political power. Money's perennial appeal to artists stems from the irony of its tantalising capacity to almost represent capitalist totality. At their core, both money and art are animated by a certain creative labour, a suspension of disbelief, and a politics of representation. Artistic practices that use money can provide critical resources for studying, understanding, and seeing beyond the rule of speculative capital.https://www.cambridge.org/core/product/identifier/S2059599900000054/type/journal_articleMoneyartrepresentationmediationaesthetic strategyfinancialisation |
spellingShingle | Max Haiven Art and money: Three aesthetic strategies in an age of financialisation Finance and Society Money art representation mediation aesthetic strategy financialisation |
title | Art and money: Three aesthetic strategies in an age of financialisation |
title_full | Art and money: Three aesthetic strategies in an age of financialisation |
title_fullStr | Art and money: Three aesthetic strategies in an age of financialisation |
title_full_unstemmed | Art and money: Three aesthetic strategies in an age of financialisation |
title_short | Art and money: Three aesthetic strategies in an age of financialisation |
title_sort | art and money three aesthetic strategies in an age of financialisation |
topic | Money art representation mediation aesthetic strategy financialisation |
url | https://www.cambridge.org/core/product/identifier/S2059599900000054/type/journal_article |
work_keys_str_mv | AT maxhaiven artandmoneythreeaestheticstrategiesinanageoffinancialisation |