Art and money: Three aesthetic strategies in an age of financialisation

Recent decades of financialisation have seen a significant growth in art that mobilises various forms of money as artistic media. These range from the integration of material money (coins, bills, credit cards) into aesthetic processes, such as sculpture, painting, performance, and so on, to a preocc...

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Main Author: Max Haiven
Format: Article
Language:English
Published: Cambridge University Press 2015-01-01
Series:Finance and Society
Subjects:
Online Access:https://www.cambridge.org/core/product/identifier/S2059599900000054/type/journal_article
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author Max Haiven
author_facet Max Haiven
author_sort Max Haiven
collection DOAJ
description Recent decades of financialisation have seen a significant growth in art that mobilises various forms of money as artistic media. These range from the integration of material money (coins, bills, credit cards) into aesthetic processes, such as sculpture, painting, performance, and so on, to a preoccupation with more ephemeral thematics including debt, economics, and the dynamics of the art market. This article explores three (and a half) strategies that artists use to engage with money: crass opportunism; a stark revelation of money's power; a coy play with art's subjugation to money; and a more profound attempt to reveal the shared labour at the heart of both money and art's aesthetic-political power. Money's perennial appeal to artists stems from the irony of its tantalising capacity to almost represent capitalist totality. At their core, both money and art are animated by a certain creative labour, a suspension of disbelief, and a politics of representation. Artistic practices that use money can provide critical resources for studying, understanding, and seeing beyond the rule of speculative capital.
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spelling doaj.art-7a4b6a487011415c98ef0f896eb39a222024-03-20T08:20:15ZengCambridge University PressFinance and Society2059-59992015-01-011386010.2218/finsoc.v1i1.1370Art and money: Three aesthetic strategies in an age of financialisationMax Haiven0Nova Scotia College of Art and Design, CanadaRecent decades of financialisation have seen a significant growth in art that mobilises various forms of money as artistic media. These range from the integration of material money (coins, bills, credit cards) into aesthetic processes, such as sculpture, painting, performance, and so on, to a preoccupation with more ephemeral thematics including debt, economics, and the dynamics of the art market. This article explores three (and a half) strategies that artists use to engage with money: crass opportunism; a stark revelation of money's power; a coy play with art's subjugation to money; and a more profound attempt to reveal the shared labour at the heart of both money and art's aesthetic-political power. Money's perennial appeal to artists stems from the irony of its tantalising capacity to almost represent capitalist totality. At their core, both money and art are animated by a certain creative labour, a suspension of disbelief, and a politics of representation. Artistic practices that use money can provide critical resources for studying, understanding, and seeing beyond the rule of speculative capital.https://www.cambridge.org/core/product/identifier/S2059599900000054/type/journal_articleMoneyartrepresentationmediationaesthetic strategyfinancialisation
spellingShingle Max Haiven
Art and money: Three aesthetic strategies in an age of financialisation
Finance and Society
Money
art
representation
mediation
aesthetic strategy
financialisation
title Art and money: Three aesthetic strategies in an age of financialisation
title_full Art and money: Three aesthetic strategies in an age of financialisation
title_fullStr Art and money: Three aesthetic strategies in an age of financialisation
title_full_unstemmed Art and money: Three aesthetic strategies in an age of financialisation
title_short Art and money: Three aesthetic strategies in an age of financialisation
title_sort art and money three aesthetic strategies in an age of financialisation
topic Money
art
representation
mediation
aesthetic strategy
financialisation
url https://www.cambridge.org/core/product/identifier/S2059599900000054/type/journal_article
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