Beyond Essence: Performing Gender and Sexuality in Ena Lucía Portela's Cien botellas en una pared

Set against a backdrop of the chaotic, crumbling Cuban capital and the multiple crises of the Special Period, Ena Lucía Portela's 2002 novel Cien botellas en una pared portrays both consequences of economic collapse and the breakdown of traditional paradigms of gender and sexuality. In the te...

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Main Author: Karen S. Christian
Format: Article
Language:English
Published: Pluto Journals 2013-09-01
Series:International Journal of Cuban Studies
Online Access:https://www.scienceopen.com/hosted-document?doi=10.13169/intejcubastud.5.2.0184
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author Karen S. Christian
author_facet Karen S. Christian
author_sort Karen S. Christian
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description Set against a backdrop of the chaotic, crumbling Cuban capital and the multiple crises of the Special Period, Ena Lucía Portela's 2002 novel Cien botellas en una pared portrays both consequences of economic collapse and the breakdown of traditional paradigms of gender and sexuality. In the text, the connection between biological sex and gender performance appears to be arbitrary; virtually all of the female characters are lesbians, while the male characters are either gay or emasculated heterosexuals. This essay argues that Portela's novel problematises the (hetero)sexist norms that have persisted in Cuban society, dismantling patriarchy in favour of a fluid, amorphous social structure in which power itself becomes ephemeral. While the image of La Habana presented in Cien botellas en una pared is far from utopian, the text nonetheless questions rigid hierarchies of gender and sexuality to a degree that is trailblazing in Cuban fiction of the Período especial .
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spelling doaj.art-7a8f18e6804c4718b55c4ed1b15390e12023-05-12T08:46:52ZengPluto JournalsInternational Journal of Cuban Studies1756-34611756-347X2013-09-015218420110.13169/intejcubastud.5.2.0184Beyond Essence: Performing Gender and Sexuality in Ena Lucía Portela's Cien botellas en una paredKaren S. ChristianSet against a backdrop of the chaotic, crumbling Cuban capital and the multiple crises of the Special Period, Ena Lucía Portela's 2002 novel Cien botellas en una pared portrays both consequences of economic collapse and the breakdown of traditional paradigms of gender and sexuality. In the text, the connection between biological sex and gender performance appears to be arbitrary; virtually all of the female characters are lesbians, while the male characters are either gay or emasculated heterosexuals. This essay argues that Portela's novel problematises the (hetero)sexist norms that have persisted in Cuban society, dismantling patriarchy in favour of a fluid, amorphous social structure in which power itself becomes ephemeral. While the image of La Habana presented in Cien botellas en una pared is far from utopian, the text nonetheless questions rigid hierarchies of gender and sexuality to a degree that is trailblazing in Cuban fiction of the Período especial .https://www.scienceopen.com/hosted-document?doi=10.13169/intejcubastud.5.2.0184
spellingShingle Karen S. Christian
Beyond Essence: Performing Gender and Sexuality in Ena Lucía Portela's Cien botellas en una pared
International Journal of Cuban Studies
title Beyond Essence: Performing Gender and Sexuality in Ena Lucía Portela's Cien botellas en una pared
title_full Beyond Essence: Performing Gender and Sexuality in Ena Lucía Portela's Cien botellas en una pared
title_fullStr Beyond Essence: Performing Gender and Sexuality in Ena Lucía Portela's Cien botellas en una pared
title_full_unstemmed Beyond Essence: Performing Gender and Sexuality in Ena Lucía Portela's Cien botellas en una pared
title_short Beyond Essence: Performing Gender and Sexuality in Ena Lucía Portela's Cien botellas en una pared
title_sort beyond essence performing gender and sexuality in ena lucia portela s cien botellas en una pared
url https://www.scienceopen.com/hosted-document?doi=10.13169/intejcubastud.5.2.0184
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